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Submission Opportunities for Women in Theatre
(previously known as Theatre Funding Newsletter)
For full #StageOpps Listings please scroll
or click links below for specific listings
Project Submissions
Script Submissions
Onstage
BackSTAGE
Funding
Residencies
Other Resources
If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Project Submissions
Downtown Urban Arts Festival
Downtown Urban Arts Festival (DUAF) is seeking theatrical works (plays, musicals, and solo performances) for its 24th Annual season to be held in June 2026 in downtown New York City. DUAF supports diverse, new, and emerging voices from America’s burgeoning multicultural landscape. Over 200 playwrights have participated in DUAF and some have gone on to greater success on Broadway and have claimed top prizes such as the Pulitzer, Tony and Obie awards and nominations.
o Deadline: December 8
o Submission Guidelines: Plays do not exceed 70 minutes
Plays should be new or existing work with minimal exposure
Plays should not have any other production in New York City during the 30-day period before and after the 2026 festival
o Categories: Short Plays, Full-Length Plays
Glass Ceiling Breakers
Theatre Revolution is proud to announce submissions are open for Glass Ceiling Breakers: 2026 A Festival of Short Plays and Films by Women Artists! GCB 2026 is scheduled for June 5, 6 and 7, 2026 at the Philipstown Depot Theatre in Garrison NY.
o Deadline: January 17
o Application Fee: No Fee
o Eligibility: Plays must be written by female or female identifying playwrights.
They can be produced or unproduced plays. Feel free to send us plays that were produced years ago that you'd like to revisit! Plays that are currently being workshopped are also welcome.
Plays should be no more than 10 minutes (we mean it!) 12 pages max (excluding the title page) in standard play format. Type size (12) with 1” margins.
If the play is 12 pages but longer than 10 minutes (lots of text) playwright may be asked for revisions if selected.
Save File as follows in PDF only: LAST NAME_TITLE OF PLAY_GCB25
All plays must be received by 11:59pm on January 17, 2026.Monologues are accepted but we prefer plays. Monologues should not be more than 3 pages.
BIPOC playwrights are strongly encouraged to submit.
Theatre and/or Playwrights will be informed in Early March
o Categories: Plays
o Contact: theatrerevolution1@gmail.com
The Old Lady Project: Call For Scripts
The Old Lady Project is an initiative to encourage the development of plays and musicals that feature significant roles for women over 50. Plays will be submitted to a national panel of directors and producers and two staged readings will occur in Evanston per year. A directory of works will be featured on the Old Lady Project webpage to facilitate connections between theatre companies, directors and producers. Scripts of any length accepted. Scripts selected will be given a staged reading at our expense, author will waive rights fee for initial staging. Author retains all rights. Organization name: The City of Evanston Community Arts Program
o When/Where: Evanston, IL
o Deadline: December 15
o Application Fee: $5
o Eligibility: Anyone!
o Categories: Full-Length Plays
o Contact: For more information, call 847-448-8263 or email aallyn@cityofevanston.org
New Works of Merit Playwriting Contest
In our 22nd year, New Works of Merit Playwriting Contest was developed to bring works of social significance to the attention of Producers, Directors, and Literary Managers
o Deadline: February 2
o Application Fee: $27
o Eligibility: Scripts no longer than 2 hours or 90 pages Stage Play Format
(PLEASE NOTE: Scripts over 90 pages, but with performance time under 2 hours, are also eligible.)
One-acts
Short stage plays
Children's plays
Published scripts
Scripts that received a workshop
Scripts that received a staged reading
Scripts that received a non-union production
Scripts produced with an AEA Showcase Code or Plan
Plays submitted must be the original work of the author and meet Mission Statement Criteria (see Home Page).
o Categories: Plays, One Acts
The Woodward/Newman Award
The Woodward/Newman Award is an exclusive honor offered by Constellation Stage & Screen, started through the support of Joanne Woodward, Newman’s Own Foundation, and the Newman family, celebrating Paul Newman & Joanne Woodward’s tremendous history of work on stage and screen. It presents the best unpublished play of the year with a cash prize of $3,000 and a full production as part of Constellation’s Mainstage season. Please note that there are significant changes to our submission and selection process from previous years. In order to make the Woodward/Newman Award accessible to all, we have eliminated submission fees as well as the contest format. The Woodward/Newman Award will continue to be awarded to an unpublished new play once per year and come with a $3,000 cash prize and a full production. Submissions will be accepted and reviewed by our literary team on an ongoing basis, and will be considered for the award as well as for all 7 production slots in our season. So a play that is not selected for the Woodward/Newman slot in our season, may still be considered and selected for production. This will allow us to now accept open submissions for all types of plays (including TYA shows). Plays submitted by midnight, August 31st, 2026 will be considered for the 2027-28 season, while plays submitted beyond that date will be considered for the 2028-29 Season. All submissions will be kept on file for 2 years after submission.
o Deadline: August 31
o Submission Guidelines: We are currently accepting submissions for the 2027-28 Woodward/Newman Award. The award recipient will be announced by May 15, 2027. The winner will be awarded $3,000 and a full production.
“Full-length” plays should have a complete running time of between 1 hour 15 minutes (75 minutes) to 2 hours 15 minutes (135 minutes). TYA shows should have a complete running time of over 40 minutes.
Plays submitted must be unpublished at the time of submission (independently published is acceptable).
Each play should be individually submitted at the following link: CONSTELLATION STAGE & SCREEN PLAY SUBMISSION.
You will be asked to submit your play as an attachment and all other information (bio, history, synopsis, character breakdown) will be entered into a form. Musical submissions may upload demos as an attachment or include a link to a shared folder.
Limit of 2 play submissions per year.
$3,000 cash prize is in lieu of royalties for the full production. Housing & transportation will also be provided.
Any unpublished play submitted to Constellation regardless of method (e.g. online form, agent submission, direct contact) may be considered for the Woodward/Newman Award.
Please note that we are moving away from a “finalists” model in lieu of keeping all plays under consideration for extended periods (2yrs). We will only announce a winner.
o Categories: New Works, Drama, Theatre
o Address: 411 E 7th ST Bloomington, IN 47408
o Contact: lIf you have any questions, please email literary@seeconstellation.org.
Pyro PlayFest
Paris Junior College Department of Drama's 11th Annual Pyro PlayFest is now accepting submissions! In a season celebrating new voices, we are looking for bold, original short plays that explore the heart of creativity — the human spirit, invention, imagination, and the drive to express. Whether you tackle these ideas literally, abstractly, or metaphorically, we want to experience the spark that fuels your storytelling! The chosen submissions will receive a full production on our 3/4 thrust stage space performed by students and community members in late April 2026, right here in Paris, Texas, on the Duane Allen Stage in the Ray E. Karrer Theater. Please note: This is a non-paying opportunity. While we are unable to offer financial compensation at this time, selected playwrights will have the opportunity to have their work brought to life in front of a live audience by a dedicated team of emerging artists and community members.
o Deadline: January 12
o Application Fee: None
o Eligibility: Unpublished, minimally produced plays (readings okay; no full productions).
Length: 10 minutes or less.
Page Limit: 10 pages max (standard format, 12-pt font, with page numbers).
Cast: No more than 6 characters.
Technical Requirements: Keep it simple — minimal sets, basic lighting, and modest props.
Theme Connection: Must explore creation, humanity, invention, or expression in some form.
o Categories: 10-Minute Plays
Nomad Theater
Nomad Theatre seeks 6-10 short plays to be a part of our upcoming show, Down on Honey Dew Acres in May 2026. Submissions will open on August 11th and close on January 1st, 2026 at midnight. Selected playwrights will receive notification by April 7th, 2026. If you have not received notification from us by that date, we did not choose you for the production. Down on Honey DEW Acres will blend immersive storytelling with the laid-back spirit of farm life. Selected plays must take place in a cedar barn on a real Central Illinois farm: Honey DEW Acres. We encourage you to use the space creatively. They must be unpublished and unproduced at the time of submission.
o Deadline: January 1
o Application Fee: No Fee
o Eligibility: 1 submission per playwright.
8-15 pages long (or about ten minutes in length)
Formatted using the Dramatist Guild Guidelines: https://www.dramatistsguild.com/sites/default/files/2020-01/General-SFI-Formatting-Guidelines-Complete.pdf
Cover page should include title, playwright’s name, contact information, brief synopsis, and character descriptions.
Playwright’s name MUST NOT appear on any other pages.
Pages should be numbered.
Minimum of 1, maximum of 4 actors (characters may be double cast)
Must take place in a barn.
No musicals.
o Categories: 10 Minute Plays
o Contact: If you have questions or need any accommodations for submission, please email nomadtheatre@gmail.com
Blackboard Plays - Reading Series Submission
Founded in 2008, Blackboard Plays has been devoted to Black Playwrights throughout the African Diaspora.
o Deadline: None Given
o Application Fee: Free
o Eligibility: Black Playwrights Submit up to 10 pages in consideration for a Feature reading. A Feature and a Community Night are the two main ways to have your work supported by Blackboard. Those not selected for a feature, are encouraged to attend a community night, which is structured like an Open Mic Night for Playwrights, where up to 10 pages is cold-read by Actors in person or on Zoom (During COVID-19 Social Distancing Practices).
o Categories: Short Plays, Plays
Neurodivergent New Play Series
Neurodivergent playwrights in NYC since 2023 - is accepting recurring submissions as we prepare for our 2024-25 Season.All submissions should be for full-length plays between 45 to 180 minutes long and may have received a previous reading or production outside of NYC, as long as they are unpublished. All neurodivergent/disabled writers (autistic, ADHD, dyslexic, OCD, Tourette's, etc.) at all stages of their careers are encouraged to apply - especially BIPOC, LGBTQ+, and female-identifying writers. There is no submission fee or any other fee for being involved in this process.
o Deadline: Rolling Basis
o Application Fee: None
o Eligibility: Plays can be of any genre, although we are especially seeking works that challenge traditional methods of storytelling & have something important to say about the world that isn't being heard enough. We ask that you submit only one play every 30 days during our recurring submissions process.
Contact: neurodivergentplays@gmail.com
o Categories: Full-length Plays
Freshwater Theatre
Freshwater Theatre prides itself on constantly working with new artists, expanding our family. We’re always on the lookout for new scripts and new technical artists to work with.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: While we certainly are interested in world premieres of new plays, we also are very interested in second and third productions of new works, as we believe this to be the key to finding the works that will propel theater into the future.
We will only respond to playwright submissions for plays that come into serious consideration for future production. We cannot give any specific time frame on if/when a response will be given.
o Categories: New Plays
o Contact: info@freshwatertheatre.com
SCRIPT Submissions
Brave New Work: Shakespeare as Prologue
New York Shakespeare Exchange and The CRY HAVOC Company are thrilled to debut our collaborative project Brave New Work, a short play development series that invites NYC playwrights to create original work inspired by, expanding, reflecting upon, remixing, and critiquing the plays of William Shakespeare. Across several weeks, four writers will craft short plays responding to a Shakespearean prompt through development workshops facilitated by NYSX and CRY HAVOC, culminating in a public reading of all four plays. Applicants need to be local to the NYC area to participate and we are especially seeking artists from underrepresented communities for this project. No fee to apply or participate; writers are paid a stipend for the use of their work in the public presentation. In year one of this project—Shakespeare as Prologue—we are looking for playwrights interested in exploring the aftermath of Shakespeare’s plays. Apply with an idea for a new short two-character play that takes place after the end of a Shakespeare play (the moment after the play ends, five years later, 50 years later, 500 years later…)
o Deadline: January 16
o Application Fee: No Fee
o Eligibility: You do not have to be a “Shakespeare Nerd” to participate in this project (but if you are, you are also welcome!)
• Select a single Shakespeare play as your starting point.
• We are looking for a proposal for a 10-15 minute play with two characters.
• One character must be from your chosen Shakespeare play; the other can be invented.
• Writers will be developing their plays in a workshop feedback process; we are looking for playwrights that are interested in discussing their work and supporting the work of others!
o Categories: Plays
Pipeline Arts Foundation
The not-for-profit Pipeline Arts Foundation was created to move musical theatre forward and is focused on supporting the development of innovative work by emerging and mid-career theatre makers. In just 3 years, Pipeline has awarded over $275,000 to groundbreaking new works. This year, we're awarding over $150,000 in cash and prizes, including 3 new programs to be announced in November that further support our alums.
o Deadline: February 1
o Application Fee: No Fee
o Eligibility: All creative artists aged 21 and over are welcome to submit. Priority will be given to emerging and mid-career musical theatre artists. We accept submissions from individuals and teams, but, to maintain fairness, and to accommodate submissions from the largest possible pool of work, we only accept one submission per person, in any capacity. For example, if you submit a show where you are credited as the bookwriter, you may not submit (or be part of a team where someone else submits) another show where you are credited in any capacity (please communicate with all of your writing teams, as you may be disqualified for multiple submissions). Unproduced, full length musical theatre works are eligible. Works derived from sources other than the creative team (books, TV, movies, plays, songs) must document appropriate permissions / rights to use any materials not in the public domain. Adaptations will be accepted as long as they have been significantly reimagined in new and exciting ways, however, priority will be given to original works.
o Categories: Musicals
Seeking Decolonization Stories
We seek to commission non-musical one-act plays that focus on the underexplored relationships between our communities and climate change. We call on playwrights with the desire to share stories of resistance, celebration, and truth. We are looking for playwrights who write in Spanish, Portuguese, native languages, English, or any combination of these to send a sample of playwriting that they consider representative of their work in light of this prompt. We will accept applications from November 1st to December 10th. From the applications we receive, our selection panel will choose 3 to 5 playwrights to be part of the resident cohort of Decolonization Stories: Climate Change Edition. This commission includes a playwriting residency, workshop, and public reading as part of the Decolonization.
o Deadline: December 10
o Application Fee: No Fee
o Eligibility: Selected playwrights will have eight (8) weekly meetings between April and May 2026, followed by four (4) bi-weekly meetings between June and July 2026 with playwright Diana Burbano. All meetings will be on Zoom.
• Each playwright will write a one-act play responding to the prompt.
• Each playwright will receive $50 after signing the agreement and attending the first day of the four-month residency.
• Each playwright will receive $950 compensation upon delivering their completed script.
• Commissioned works will be workshopped during the summer of 2026.
• Commissioned works will be presented as staged, directed readings in the fall of 2026.
o Categories: Plays
A is For seeks one-act plays on reproductive justice
A is For is currently accepting submissions for one-act plays about reproductive justice. The A is For Playwriting Contest and the all it takes is ONE ACT Play Festival engages playwrights who are passionate about abortion rights and reproductive justice, and offers audiences the opportunity to see those stories performed by theatre professionals in live staged readings. Since the inauguration of our Playwriting Contest in 2020, we have received over 1,000 one-act plays about reproductive justice from all around the world, and have brought 12 of them to the stage! A is For amplifies art and artists working to eradicate stigma against abortion. We believe that theatre deepens our relationship with the world around us by inviting us to empathize, and recognize our own belonging. We are looking for plays that challenge stigma against abortion. We want to hear the stories you want to tell.
o Deadline: January 18
o Application Fee: No Fee
o Eligibility: Your play does not have to be about abortion literally. (Although it can be!) If you are exploring the impact of shame and stigma as an obstacle to autonomy and liberation, we’re interested. The plays we hope to bring to the fore will be diverse in perspective as well as imagination. They may be personal and realistic, or they may be allegorical. They may be fantastic, sprung from dreams, or they may be grounded in naturalism. From the surrealist to the literal. From magical realism to documentary. Whatever form or shape they may take, we hope to receive a wide range of works from all over the country – and beyond!* – reflecting the great variety of experiences that reproductive justice and/or bodily autonomy demands we all recognize.
o Categories: One-Act Plays
Labute Festival
Created and staged exclusively each summer by STLAS, at The Gaslight Theatre in St. Louis and 59E59 Street and Davenport Theaters in New York. Submissions will be accepted October 1, 2025 through January 31, 2026(Postmarked).
o Deadline: January 31
o Application Fee: No Fee
o Eligibility: Submissions should be sent to: LaBute New Theater Festival, St. Louis Actors’ Studio, 360 N Boyle Ave, St. Louis, MO 63108S
Successful entries will have no more than four characters and be crafted specifically to exploit our intimate performance space. (18′ x 18′ stage) Changes in scenery or setting should be achievable quickly and with few major set moves. Our focus is on fundamental dramaturgy: plot, character and theme.
Professional, new and previously unproduced one-act play submissions should include a letter of inquiry, a synopsis and a 10-page sample from the script. Running time for each performance should not exceed 45 minutes. Up to Eight plays will be chosen. In addition, a new piece from Mr. LaBute will be performed every night for the run of the festival.
o Categories: One-Act Plays
o Contact: For more information: 314-458-2978 or help@stlas.org
The Road
The Road is proud to begin its SEVENTH year of Under Construction, a playwright’s group that develops socially and politically relevant voices and thoughts to the American stage. Under Construction will be meeting both virtually and in person in 2026 and is open to playwrights on a national level. We will be selecting 8 playwrights to join the virtual 2026 cohort and 8 playwrights to join us live at our theatre. Beginning in January 2026, this group will meet twice a month live (TUESDAYS @ 7PM). And on Zoom for the virtual cohort (Day/Time TBD). As we get closer to full reads, sessions will be every week. Regular Attendance is required!
o Deadline: December 15
o Application Fee: No Fee
o Eligibility: Each playwright must enter this group with the beginnings of a new play, and we will work collaboratively for a 10-month gestation process on the development of each piece. Concluding with a directed reading at our theatre. This program is modeled for playwrights who would benefit from a structured space to receive feedback from peers, all in the supportive environment of The Road Theatre Company. The goal of Under Construction is simple: to leave with a deeper knowledge of playwriting through collaborating and sharing with one’s peers, and for each participant to create a new piece of theatre that is workshop ready; a curated play! Playwrights are given live readings in our state-of-the-art theatre on Magnolia Blvd. in North Hollywood. Initial drafts will be read by fellow playwrights, but participants in this program will also have access to The Road’s talented ensemble of theatre artists for private readings, as well as support from the Artistic Team at The Road. The Road is committed to UC, over the past 5 Under Constructions, the Road has produced 5 plays. UC6 readings are beginning in January 2026 and we hope to have a play from that series as well. We look forward to hearing from you! We will be interviewing candidates after the first of the year
o Categories: Plays
o Contact: Please send submissions to underconstruction@roadtheatre.org
2026 International Playwriting Prize Carlo Annoni
The Carlo Annoni International Playwriting Prize is now open for submissions with topics concerning the LGBTQ+ community, including love, diversity, and identity in a time of gender fluidity. We accept full-length or short plays even if already represented. Award ceremony in Milan, September 2026.
o Deadline: April 30
o Application Fee: No Fee
o Eligibility: Send your submission to info@premiocarloannoni.eu 1000 € awarded to two best plays (one in English and one in Italian)
o Categories: Plays
Hepburn Hooks Theatre Co: "Brown Skin Girl"
For the second edition of our evenings of shorts, we are seeking out four female, BIPOC playwrights whose works we will fully produce and present at a London venue to be determined. A clear element of inspiration for our very first endeavour is legendary superstar and timeless icon Beyoncé's 2019 song "BROWN SKIN GIRL", a gorgeous, heartfelt celebration of Black girl/womanhood. Its music video (which we enjoin you to watch, if you haven't already, features a plethora of Brown Skinned Girls and illustrates the broadness of this term!) The plays may be set in any era, they may tackle whatever subject you desire, the stories may even not centre Black/Brown women at all! We are quite simply looking to pick the brains of young, BIPOC female playwrights from all over the world and get a sense of how they feel about the world at large, or about very specific things in it. Let your imagination run wild, do not be afraid to be goofy, cringey, subversive or unapologetically militant - we want to see and hear it all!
o Deadline: December 15
o Application Fee: None
o Eligibility: There is no entry fee for this opportunity.
This year, we are happy to announce that all four selected playwrights will receive a 100 GBP stipend. The remaining three playwrights will be offered a free yearlong subscription to www.playsubmissionshelper.com, the most comprehensive and up-to-date online directory of play submission opportunities available anywhere.
Playwrights must be aged (at least) 18 at the time of submission.
Your play should have a running time of 10 to 15 minutes.
Your play should require no more than 4 actors and minimal props.
Your play should be in English (mainly).
The play should be original, unpublished and it should not have been performed in the UK as of the day of submission.
Submissions containing copyrighted material that does not belong to you cannot be accepted.
Unfortunately, we cannot yet accept musicals.
Your play should NOT BE BLIND.
The document you submit should be a PDF.
Unfortunately, written feedback will only be provided to short-listed writers.
All submissions are final. No revisions to the text of a play will be accepted after it is submitted.
o Categories: Short Plays
WRPN Women’s International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or those that address issues affecting women. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway “Top 100 Reviewed” festival alumnus.
o When/Where: June 20
o Deadline: October 31 (Regular Deadline), November 30 (Late Deadline), December 31 (Extended Deadline), March 31 (Last Chance)
o Application Fee: $50-$130
o Eligibility: While WWIFF is a female-focused film festival, we also accept films produced and/or directed by men if one or more self-identifying top production members are female (including, but not limited to, cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues.
o Categories: Play
Theatre Now Soundbites Festival
Theatre Now defines a 10-minute musical as any piece that can be performed in 10 minutes or less; has a beginning, middle, and end story arc; and includes music. Having produced over 100 pieces, we want musicals that are diverse and current, that test the musical form and communicate a well-crafted story. We accept musicals across all styles and genres and are happy to consider foreign language and/or bilingual scripts. We strongly encourage submissions from female, BIPOC and LGBTQ+ writers as well as writers with disabilities.
o Deadline: December 1
o Application Fee: Free
o Eligibility: Please review the following criteria thoroughly before sending your submission:
Ten-minute musicals will be accepted from July 1st, 2025 - December 1st, 2025 at midnight.
Submissions will not be considered before July 1st or after the deadline.
Musical theatre writers can submit no more than two scripts during the current submission period.
The story must have a beginning, middle, and end.
We accept submissions in foreign languages or that are bilingual. Although the application process is in English, the work itself may be submitted and performed in any other language if selected.
Each piece must include music.
All submissions must be submitted via the submission form. No physical copies.
Each musical must not exceed ten minutes when performed. If accepted, cuts may be required.
Longer one-acts or full-length musicals will not be considered, although the submission may be a 10-minute portion of a longer piece as long as it tells a complete story with a beginning, middle, and end story arc.
A musical may be a previously-produced work with a production history.
We have no formal script formatting guidelines, but all scripts should be easy to read.
The volume of submissions prevents us from providing feedback on all submissions.
If your piece is visual (i.e. choreography-heavy), please include video footage or detailed descriptions.
o Categories: Short Musical
THE ALEXANDER NDERITU PRIZE FOR WORLD LITERATURE (2025) seeks short plays
The African Griot Review is proud to announce the return of the Alexander Nderitu World Literature Prize! The 2025 Edition will honour original, one-act stage plays from anywhere in the world. A single winner will be chosen by the founder of the prize, Kenyan-born writer and critic Alexander Nderitu. The longlist will be announced in December 2025. The shortlist will be announced in February 2026 and the eventual winner will be unveiled at a literary event in April 2026. The winning playwright will walk away with a cash prize of 50,000, a one-year online promotion campaign by IT form Websoft Interactive and grace the cover of The African Griot Review magazine. The 2024 winner of the prize was Nigeria’s Haliru Ali Musa, for his short story, The Pregnant Ghost. There is no entry fee.
o Deadline: November 15
o Application Fee: Free
o Eligibility: Territories: The contest is open to writers anywhere in the world, aged over 18.
Language: All entries must be in English. Translations and adaptations are not eligible.
Work: The entry must not be optioned, commissioned, performed or been previously published anywhere, including online. Simultaneous submissions are fine but please inform us if your work is published or staged elsewhere during the judging process. We’re looking for a play that is roughly 10 – 15 minutes long. A minute of dialogue is roughly one page of script. The playwright’s name must not appear anywhere on the submitted document. One may submit up to three different plays. Each play must have only one writer, no collaborators. Plagiarism and assistance from Artificial Intelligence (AI) writing tools are grounds for instant disqualification.
While not essential, the Standard Stage Play format is recommended. Free guide available here: https://caryplaywrightsforum.org/wp-content/uploads/2012/07/CPF_play_formatting2.pdf
Judging: This year’s contest will be judged by award-winning writer and critic Alexander Nderitu. Apart from penning his own stage plays, he has also authored two non-fiction books on the theatre business - Kenyan Theatre: The Good, The Bad and The Ugly and This Time With Feeling.
o Categories: Short Plays
o Contact: For any inquiries regarding the Prize, please email: admin@theafricangriot.com
Southern Soul Theatre Ensemble Presents the Inaugural 10x10 Play Festival
The Southern Soul Theatre Ensemble proudly announces the Inaugural 10x10 Play Festival, celebrating creativity, culture, and community! In honor of Juneteenth, this festival amplifies Black and Latinx voices through a dynamic showcase of 10-minute plays.
o Deadline: None Given
o Application Fee: None
o Eligibility: Eligibility: Open to Black and Latinx playwrights (one submission per playwright).
Play Length: 10-minute plays (8-10 pages).
Cast Size: 2-6 characters.
Themes: Works should reflect the diversity of Black and Latinx cultures; all genres welcome.
Original Work: Must be unproduced or have had limited exposure (readings/workshops accepted).
Format: PDF submissions only, including a title page with name, contact info, and a brief synopsis.
Deadline: Selected playwrights will be notified by April 15th.Southern Soul Theatre
o Categories: Plays
The Autry: 2025 OPEN Submission for Production Consideration
We accept scripts all year long. Do you have a full-length script that has been developed and produced that you would like us to consider for a future Native Voices production in Los Angeles? Please follow the Checklist for All Submissions below and in the Native Voices Script Submission form, check the box for 2025 General Production Consideration.
o When/Where: Open all year
o Deadline: None Given
o Application Fee: None
o Eligibility:Full-length plays (60+ pages) receive will be read and evaluated.
o Categories: Full-length Plays
NY Theatre Festival Spring/Summer and Fall/Winter
This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance. You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly.
After we show you how to use the tools we provide and how to best utilize the space, The Festival’s team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show. In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.
o Deadline: TBD
o Application Fee: None
o Eligibility: Submissions Accepted from a 30-mile radius outside of Manhattan and only run if the entire cast and crew are from New York City. Plays are considered on a first-come, first-serve basis. The earlier you submit, the better your chances are of having your script invited to the festival. Each applicant is fully responsible for all elements of their production, including directing, casting, stage-managing. We know exactly what you need to make your show a success and we welcome you into our community of playwrights and theater innovators!
o Categories: Plays, Musicals
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
The Tank Presents
Each season, our The Tank Presents program serves hundreds of emerging artists as they create over 1000 performances of new works in music, theater, film, dance, comedy, and storytelling. As part of our mission to remove the economic barriers from the creation of new work, we never charge our artists to use our space for their performances! In addition, we also provide free rehearsal space, as well as free marketing and promotion of their event. Our The Tank Presents presenting model removes the daunting cost of space rental from the equation of art making, and provides an affordable home for emerging artists to create art that pushes the boundaries of their mediums. Through this program, artists can present readings, works-in-development, short runs of full theatre productions, screenings, concerts, storytelling festivals, comedy shows, and more.
o Deadline: None Given
o Application Fee: None
o Eligibility: To submit work for consideration as part of Tank programming, please email submissions@thetanknyc.org with the following information:
Show title
Discipline (theater, music, comedy, etc.)
Approximate running time
Summary of piece
Brief summary of artistic goals
Brief explanation of how the piece exists in the world (i.e. - art exhibit, soundscape, outdoor experience, digital hybrid)
Sample of work that will give us a sense of what it is you’re trying to make and that you know how to make it
Bio of lead artist(s)
The name of the Tank show you viewed
Submissions are accepted on a rolling basis.
o Categories: Plays
o Contact: submissions@thetanknyc.org
Diversionary: Seeking new, full-length LGBTQIA+ works
Diversionary is always seeking new, full-length LGBTQIA+ works for consideration. Please follow the guidelines below if you would like to submit your work. Because of the volume of submissions, those that do not follow the guidelines will not be considered.
o Deadline: None
o Application Fee: None
o Eligibility: Please send all of the above items as a single document in pdf format to frankie@diversionary.org. For music, please send the items in mp3 format or include a link to be accessed. No physical submissions sent to the theatre will be considered.
a one-page synopsis, character breakdown, and playwright bio
a development/production history of the submitted work (including date written and any readings, workshops, and full stagings)
a ten-page sample of the work
three audio recordings of music, twelve minutes total, if it’s a musical
o Categories: Full Length Plays, Musicals
o Contact: frankie@diversionary.org
Murmuration Theatre
Murmuration Theatre Company is seeking plays that have a cast size between 2-11 for our 2023 & 2024 seasons Accepting work for consideration in the following categories: New Voices Showcase: Curated selection of 4-10 new plays (scripts 2 - 40 pages); fully staged and directed by our creative team. Mainstage Show: a one act or full length play (scripts 35 - 120 pages); fully staged and directed by our creative team. In development: Actor's Lab Performance Series: a monthly selection of scenes or short plays (any length), performed at workshop or staged reading level.Playwrights selected for our mainstage production will receive $30 per performance of their one-act or full length play; playwrights selected for our New Voices Showcase will receive $10 per performance of their short or one-act.
o When/Where: Brooklyn, New York
o Deadline: None
o Application Fee: None
o Eligibility: Please submit PDF copies of scripts via the google form below, and feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns. Multiple submissions are allowed. Preference will be given to playwrights who are able to attend at least one performance of their work in the NYC area.
We will be accepting submissions on a rolling basis, and hope to be in touch with responses within 30 days of submission. Please feel free to reach out after that point if you have not received word from our team.
Solo Shows, Theatre for Young Audiences and Musicals will not be considered.
New writers as well as writers with voices that have historically been underrepresented in the theater industry (gender identity, sexual orientation, race, ethnicity, religion, ability status, etc.) are encouraged to apply.
o Categories: Full-Length Plays, One-Acts
o Contact: murmurationtheatreco@gmail.com
Manhattan Repertory Theatre Play Production Program
Self-Produce a production of your best play in New York City as live theatre comes back to life in this New Renaissance of Theatre. We will do all the work, from hiring a production team and staff, to casting, directing, building costumes, set design, lighting design, payroll and more. From 3 performances to 20 performances for one simple Production Fee. Pre-Pandemic, 2017 - 2019, we produced 60 plays in Midtown Manhattan for playwrights all over the world. Production time frames available: Late Autumn 2021, Winter/Spring 2022.Currently, as we move back into production in New York City, we are only accepting Full-Length plays and Musicals - 60 to 150 minutes. Production fees range from $12,000 to $50,000 depending on the "size" of your production, scenic elements, and the number of performances.
o Deadline: TBD
o Application Fee: None
o Eligibility: If you are serious about self-producing your play in New York City, please forward us: An email cover letter with information about you and your work. your play attached as a .pdf, an attached Synopsis of your play, with the approximate running time, and your set, lighting and costume requirements.
o Categories: Full Length Plays, New Plays
o Contact: manhattanrep@yahoo.com
Shubert Fendrich Memorial Playwriting Contest
To encourage the development of quality theatrical materials for the educational, community and children’s theatre markets, Pioneer Drama Service is proud to sponsor the annual Shubert Fendrich Memorial Playwriting Contest.
This is an ongoing contest, with a winner selected by June 1 each year from all eligible submissions received the previous year. All eligible plays accepted for publication will be considered contest finalists, from which the winner will be selected. The contest winner will receive a $1,000 royalty advance in addition to publication.
o Deadline: Ongoing
o Application Fee: None
o Eligibility: You can start the submission process by contacting us here.
We will only consider manuscripts with a running time between 20 and 90 minutes.
Submissions must be family friendly in both subject and language. NO cursing. NO explicitly adult content.
We prefer casts that are either balanced or favoring females. The more gender neutral roles, the better.
We favor plays and musicals with ensemble casts, where more than just a few have a chance to shine.
Plays with elaborate set, costume or technical requirements are not appealing because of the limited resources of many of our customers. Pictures, sketches or descriptions of your vision are always helpful.
We recommend your submissions have had at least one production or reading, hopefully staged. We feel this fundamental field test is necessary before a play can be considered for publication since plays are created for the purpose of performance.
Manuscripts must be computer-printed in dark ink. We do not require specific formatting. However, your efforts to ensure your script is free of misspellings and typos will help the submissions editor.
We hope that Pioneer Drama is your first choice as a publisher, and we encourage you to submit to us exclusively. However, we do accept simultaneous submissions with the understanding that you will accept the first contract you’re offered and not use the situation to seek multiple offers from which to choose. If you receive another offer, please notify us immediately so we may rescind your submission.
The following information must accompany your submission or query:
100-200 word synopsis.
Cast list that indicates the number of female roles, the number of male roles and the number of roles that can be performed by either gender. We do not accept one-person shows.
Running time.
CD and/or score for musicals. We appreciate the opportunity to hear the music, if possible.
Set design(s). Please feel free to provide diagrams and/or pictures.
Proof of production or staged reading (i.e., review, program, etc.) A DVD of your performance is ideal, though not required.
Age of intended audience.
A self-addressed envelope of sufficient size with appropriate postage for the return of your materials. We will NOT return manuscripts or accompanying material if this is not included.
Cover letter and/or resume.
o Categories: family friendly
o Address: Pioneer Drama Service, Inc. Attn: Submissions Editor PO Box 4267
Englewood, CO 80155-4267
o Contact: https://www.pioneerdrama.com/ContactUs.asp?ID=6
Urban Stages Emerging Playwright Award
Our $500 Emerging Playwright Award (coupled with press coverage) is given to playwrights who show excellence and dedication throughout this process – from development to the stage. Out of hundreds of submissions a year, we select 15-20 plays for readings. From these, we select 1-3 plays annually to go on to our workshopping phase. Our workshops are meant to prepare a play for our Off-Broadway stage. From our workshops, we select 1-2 plays for full productions, complete with a playwright’s contract and compensation (separate from the award).
o Deadline: Ongoing
o Application Fee: None
o Eligibility: Plays may have been developed or produced elsewhere, but never produced in New York City. Plays from overseas and throughout the US are accepted and considered, but special attention will be given to playwrights who live in or near New York
o Categories: Full Length Plays, New Plays
o Contact: 212.421.1380
Onstage
Warriors - NYC EPA (12.04.25) & (12.05.25)
Equity actors for a 2-week developmental work session of WARRIORS (See breakdown). NYC actors encouraged to audition.
Seeking:
CYRUS: [30s - 40s, Black, Female-identifying. Powerful mezzo-soprano range, able to command attention and have fluid R&B melismas.] Cyrus is the charismatic, visionary leader of the Gramercy Riffs, the most influential gang in New York City. As the woman who has risen to the top of the city’s underworld, she exudes an effortless power that is built on skill, strategy, heart, and the conviction of her beliefs. She is inspiring and can move the crowd with her words, reaching the soul as well as the intellect. Through soaring song and speech, she convinces the assembled crews that in their hands, another world of unity and peace is possible.
FOX: [20s - 30s, Person of color, Female-identifying. Strong pop and legit singer who can rap, with a strong mix or belt to C/D.] Fox is the newest, least experienced member of the Warriors. She is shy, reserved, and quiet as a fox, still finding her footing in the hierarchy of the group. Her loyalty is easy to tap into, but she worries it may not run deep enough. The bravery she discovers allows her to protect the gang when they need it most. She may be the shyest, but turns out to be one of the strongest.
o Deadline: December 5
o Details: Please prepare a short cut of an R&B, pop, or rock song that centers on strong storytelling while also showcasing your vocal ability. Please, no musical theatre selections. Bring sheet music, as an accompanist will be provided. Please also bring your headshot and résumé stapled together.
o Audition Information:
Ripley-Grier Studios (305) 305 W 38th St New York, NY 10018-2902
Holding room - Studio 207
o Salary: Development Agreement $625 weekly minimum (Tier 1)
Warriors - Equity Video Submissions (12.04.25)
Equity actors for a 2-week developmental work session of WARRIORS (See breakdown). NYC actors encouraged to audition.
Seeking:
CYRUS: [30s - 40s, Black, Female-identifying. Powerful mezzo-soprano range, able to command attention and have fluid R&B melismas.] Cyrus is the charismatic, visionary leader of the Gramercy Riffs, the most influential gang in New York City. As the woman who has risen to the top of the city’s underworld, she exudes an effortless power that is built on skill, strategy, heart, and the conviction of her beliefs. She is inspiring and can move the crowd with her words, reaching the soul as well as the intellect. Through soaring song and speech, she convinces the assembled crews that in their hands, another world of unity and peace is possible.
FOX: [20s - 30s, Person of color, Female-identifying. Strong pop and legit singer who can rap, with a strong mix or belt to C/D.] Fox is the newest, least experienced member of the Warriors. She is shy, reserved, and quiet as a fox, still finding her footing in the hierarchy of the group. Her loyalty is easy to tap into, but she worries it may not run deep enough. The bravery she discovers allows her to protect the gang when they need it most. She may be the shyest, but turns out to be one of the strongest.
o Deadline: December 5
o Details: Please prepare a short cut of an R&B, pop, or rock song that centers on strong storytelling while also showcasing your vocal ability. Please, no musical theatre selections. If you have no accompaniment of your own, you may use the accompaniment tracks at: https://www.dropbox.com/scl/fo... . Kindly attach your headshot and résumé to the email. Equity video submission deadline is Thursday, December 4th.
o Salary: Development Agreement $625 weekly minimum (Tier 1)
For more Onstage opportunities, visit Backstage.com; ActorsAccess.com; and Playbill.com.
Backstage
Management Associate, Roundabout Theatre Company
Roundabout Theatre Company, one of the nation’s largest not-for-profit theatres, seeks an energetic, personable individual to join the company as the Management Associate. This position reports to the Incoming Managing Director and calls for an individual to provide strong administrative support for her as well as to the Executive Producer and other members of the Management Department. This candidate must have strong verbal and written communication skills, be adept at managing calendars, and some knowledge of theatrical production, particularly in New York/Broadway. This position will begin in December prior to the Managing Director starting full time on January 5th, 2026.
o Essential Duties
Provide administrative support to the Managing Director and Executive Producer including managing calendars and scheduling meetings (both internal and external), coordinating travel, booking meeting spaces, note taking, providing research, organizing and maintaining files, creating spreadsheets or other tracking documents and fielding phone calls
Serve as a liaison for all departments in the company, particularly General Management, Marketing, Finance, IT, Criterion Ticketing, and Audience Services
Assist the Administration Department in labor relations coordination and research
Draft internal and external correspondence on behalf of the Administration Department
Monitor and reconcile department budgets and spending through invoice coding and processing
With Senior Officer, Board Relations & Governance, coordinate meetings with key board members and board committees for the Managing Director
Assist in planning All Staff Meetings as well as other staff events
May provide support for the management of show rentals in any of the Roundabout theatres, as well as help facilitate Capital Projects
May provide support for the General Managers on production related tasks including contract drafting, budgeting, budget tracking, and other tasks related to the shows
Keep abreast of all news and current topics in the Broadway and larger New York theatrical community
Other duties and projects as assigned by Managing Director
o Compensation: The salary is $55,000–$60,000 annually plus any overtime for hours worked over 40 in a workweek. This role may require some weekday nights and weekends for events (notice will always be provided in advance). This role is required to be in our midtown office. This is a full-time position with the standard Roundabout benefits package that includes medical plan paired with a health reimbursement account, dental, vision, 401k with 5% employer contribution, PTO, LTD, and life insurance.
Commercial Director, AKA NYC
AKA NYC is a New York City based, award-winning, fully integrated advertising agency with unparalleled expertise across the arts & entertainment, leisure, travel, retail, and tourism sectors. We are content-forward and data-fueled with a proven record of delivering cross-platform campaigns that get results. We are proud to partner with some of the most iconic names in entertainment, culture, and live experiences. Our client roster includes Broadway’s biggest shows, world-renowned institutions like The Metropolitan Museum of Art, vibrant attractions such as The New York Botanical Garden, and dynamic sports organizations like the Harlem Globetrotters. From the magic of live theatre to the energy of stadiums and the wonder of cultural landmarks, we craft campaigns that connect audiences with real experiences – providing real stories, real emotions and real connections. AKA NYC seeks a commercially minded leader who combines strategic vision with executional excellence. The ideal candidate thinks like a producer, acts as a business partner, and leads with entrepreneurial drive. They thrive in complexity, enjoy solving commercial challenges, and maintain a relentless focus on audience growth, revenue generation, and sustainable success. Above all, they bring energy, vision, and leadership to help our clients — and AKA — achieve extraordinary results.
o Essential Duties
Lead commercial strategy for key accounts, aligning marketing, pricing, and sales activity with revenue goals.
Develop and manage forecasts, pricing models, and sales strategies that deliver measurable results.
Oversee audience segmentation, ticketing, and revenue management to maximize occupancy and average ticket price.
Use data and insights to identify growth opportunities and guide strategic decisions.
Serve as a trusted commercial advisor to senior stakeholders and agency leaders.
Inspire and mentor teams, fostering commercial acumen and a culture of curiosity and accountability.
o Compensation: The salary range for this position in New York, NY is $100,000 to $130,000 per year. The base pay actually offered will take into account internal equity and may vary depending on the candidate’s geographic region, job-related knowledge, skills, and years of experience. A discretionary bonus may be provided as part of the total compensation package.
Director of Production, Arena Stage
The Director of Production is responsible for the overall management of the Production Department, balancing artistic vision and integrity with practical needs including deadlines and budgets. The Director of Production will be responsible for budget management, staff development and creative problem solving.
o Essential Duties
Coordinate effective communication among the directors, designers and all members of production staff
Budget and schedule the needs of the Production Department to ensure the fulfillment of planned productions, presentations, rentals and other events
Create and monitor schedules for building, production and presentation activitiesOversee annual production budget, monitor expenses and provide timely updates of actual expenses and projections
Facilitate design and production meetings, ensure deadlines are met and oversee the tech/production process
Administer the production payrollContract production staff (scenic, props, costume, lighting, sound, other production support)
Hire additional production staff (overhire) as required
As a member of Senior Staff, work with the Senior Staff to schedule and plan each season and develop strategic plans for the future.
o Skills: Five years of production management
Degree in theater preferred but not required
Ability to work some evenings and weekends required
Knowledge of MS Office, particularly Excel and Outlook
Knowledge of all production elements including scenic, properties, lighting, costuming, sound, video, stage management, and directing
Previous experience working within SDC, AEA, USA and AFofM policies preferred.
o Compensation: $110,000-$165,000
Obsidian Theater Festival
There exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully exists an enduring legacy of storytelling within the Black community. Actors, writers, musicians, and dancers, capture the richness of Black stories, moving beyond stereotypes and tropes. The Obsidian Theatre Festival exists to uplift both stories as well as storytellers, and firmly believes in the power of art to change lives. Obsidian will provide the community with the powerful platform it deserves by way of a fresh new stage upon which these stories will be meaningfully celebrate
o Seeking: Various Roles
o Location: Detroit, MI
o Website: https://www.obsidianfest.org/available-positions
Milwaukee Repertory Theatre
o Seeking: Various Roles
o Location: Milwaukee, WI
o Website: https://www.milwaukeerep.com
For more information: https://www.milwaukeerep.com/about/work-us/jobs/?fbclid=IwAR2lXyj99fIOhY8MmQ5n4XRveG1wEqPl2mL_9w7A1-WVpLoZhqwUDc-2Crc
Milwaukee Repertory Theater is an Equal Opportunity Employer and values and encourages a diverse workforce. We invite you to review jobs that are currently available.
Full-time employee benefits include health, dental and voluntary vision and disability insurance; flexible spending accounts; retirement plan; parking programs and complimentary tickets.
Application Instructions
Send your letter, resume and salary history (PDF or Word attachments only) to the email address listed in the job listing.
Oregon Shakespeare Festival
o Seeking: Various Roles
o Location: Ashland, Oregon
o Website: https://www.osfashland.org
For more information: https://www.osfashland.org/work-with-us?fbclid=IwAR2cqx7fSs1YYwa2I86SMVxJjZ8ns4ba2RqsEr51mMKIVWdiIL7ByQ4Lv8U
Located in the beautiful Rogue Valley of southern Oregon, the Tony Award-Winning Oregon Shakespeare Festival presents a season of eleven plays in rotating repertory across three theaters between the months of February and October. Additionally, OSF offers extensive educational opportunities to students, teachers, and theatergoers of all ages during our performance season.
We offer employment and career opportunities in a wide range of positions (acting, other performing opportunities, scenery, costumes, lighting, marketing, finance, etc.). We encourage you to check our website regularly for openings.
Two River Theater
Two River Theater annually produces a theatrical season that includes American and world classics, new plays and musicals, programs for young people, and festivals of new work. Each year, we also offer 40+ events that reflect our diverse community of Red Bank, New Jersey. Two River celebrates and honors our core values of Artistic Excellence; Education and Community Engagement; Equity, Diversity, and Inclusion; and Operational Excellence. Anyone who joins our team quickly becomes part of putting all of our initiatives into action day in and day out. Two River Theater is led by Artistic Director John Dias and Managing Director Michael Hurst.Two River Theater is dedicated to the goal of building an equitable and culturally diverse work environment and strongly encourages applications from members of underrepresented groups.
o Seeking: Various Roles
o Location: Red Bank, NJ
o Website: https://tworivertheater.org/jobs/
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
For more Offstage opportunities, visit OffStageJobs.com and Playbill.com.
Funding Opportunities
NYSCA/NYFA Artist Fellowship
The NYSCA/NYFA Artist Fellowship is a $8,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein.This grant is awarded in fifteen different disciplines over a three-year period (five categories a year) and the application is free to complete. The NYSCA/NYFA Artist Fellowship is not a project grant, but is intended to fund an artist’s vision or voice, at all levels of their artistic development.
o Deadline: December 17
o Application Fee: None
o Eligibility: 25 years or older by the application deadline date.
Current residents of New York State and/or one of the Indian Nations located in New York State
Must have maintained New York State residency, and/or residency in one of the Indian Nations located therein, for at least the last two consecutive years
Not enrolled in a degree-seeking program of any kind
Are the originators of the work, i.e. choreographers or playwrights, not interpretive artists such as dancers or actors
Did not receive a NYSCA/NYFA Artist Fellowship in any discipline in the past five consecutive years
Cannot submit any work samples that have been previously awarded a NYSCA/NYFA Artist Fellowship
While collaborating artists are eligible to apply, the total number of collaborators cannot exceed three
Applicants can apply in a maximum of 2 categories each cycle
Are not a current NYFA employee or have been in the last 12 months, a member of the NYFA Board of Trustees or Artists’ Advisory Committee, immediate family member of any of the aforementioned, or an immediate family member of a panelist
Artists that have been awarded five NYSCA/NYFA Artist Fellowships receive Emeritus status and are no longer eligible for the award.
Steven Schwartzberg Grants for Mental Health & Wellness
Writers are the beating heart of theater, whom we rely upon to take us on journeys and inspire us to think. During these unprecedented times, DGF has created the Steven Schwartzberg Grants to provide financial support for mental health and wellness services for writers. To help connect writers to therapists, DGF has partnered with Advekit, an online therapist matching service, to expand access to mental health support that might be out of your reach.
Please complete the form to receive $1,000 toward therapy through Advekit, courtesy of DGF.
If you already have a therapist or are seeking mental wellness support other than Western talk therapy, DGF is working on ways to support you in your wellness.
NYC Department of Cultural Affairs (DCLA)
The NYC DCLA is dedicated to supporting and strengthening New York City's vibrant cultural life. Among our primary missions is to ensure adequate public funding for non-profit cultural organizations, both large and small, throughout the five boroughs.
They have many grants tailored to the needs of artists living and working in the city throughout the year.
o Deadline: Ongoing
o Application Fee: Freeexceptional plays and performances. A core pillar of the initiative is the Emerging Playwrights Fund, a program that invests in and nurtures self-identifying emerging playwrights, some of our most inventive, delightful, and provocative storytellers. Through the Fund, Audible aims to connect extraordinary performers with remarkable original work, amplifying new voices and harnessing the power and potential of audio to reach millions of listeners. The Fund specifically supports the creation of original dramatic work, written with audio in mind, but theatrical in spirit. Audible is dedicated to commissioning, developing, and producing work that reflects the diversity of our members and our world. To accomplish this, Audible is committed to granting at least 50% of emerging playwright commissions to artists of color and women.
o Deadline: None
o Application Fee: Free
o Eligibility: please submit all of the following to AudibleTheater@audible.com:
One full-length script for an original or adapted play (in English language only) that represents your voice ("Script"). The Script can be in any genre and may include one-acts and solo pieces;
A short biography; and
A brief statement about why audio plays appeal to you.
If you have an idea for an original audio play, you are welcome to include a pitch or summary along with your statement (this is encouraged, but not required)
o Contact: Audible
o Eligibility: Independent Artists and Groups
o Address: New York City Department of Cultural Affairs 31 Chambers Street New York, New York 10007
o Contact: 212.513.9300
SubletSeries@HERE Program
This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, technical assistance, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, color scrollers—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Independent Artists and Groups
o Address: HERE Program 145 Sixth Ave New York, NY 10013
o Contact: 212.647.0202
Annenberg Foundation
The Annenberg Foundation does most of their funding in the arts, culture, and humanities to organizations in the counties of Los Angeles, Orange, Riverside, San Bernardino, and Ventura. The Annenberg Foundation's arts and humanities grants are available to agencies that serve the greater Los Angeles region, typically with budgets over $5 million.
o Deadline: Ongoing
o Application Fee: Free
o Eligibility: Arts, culture, and humanities in greater Los Angeles region
Residencies
The Ground Floor's 2026 Summer Residency Lab
Thank you for considering the Ground Floor's 2026 Summer Residency Lab, which will take place June 15th - July 12th!
o Deadline: December 8
o Application Fee: No Fee
o Eligibility: We suggest you download and complete this application as a Word document (available here) and then cut/paste your answers into this online form. In order for your application to be considered complete, we ask that you submit PDFs of your résumé and the résumés of any key collaborators separately. Please title these “Project Title.Last Name.pdf” - we will know how to differentiate each document based on the section.
o Contact: Please note: the submission form does allow you to save the application midway through, but we highly recommend that you complete this in one sitting to avoid any errors or technical issues. If you have access needs to complete this application, please email groundfloor@berkeleyrep.org.
2026-2027 Excellence Artist Fund Residency - Innovation in the Arts - The Department of Theatre & Dance at the University of Wyoming
The Department of Theatre & Dance at the University of Wyoming invites proposals for the 2026-2027 Excellence Artist Fund Residency - Innovation in the Arts. This prestigious residency is designed to support visiting creative artists, writers, and/or scholarly programs in the development and presentation of innovative new work at the University of Wyoming, while fostering meaningful engagement with both our campus and the broader Laramie community. Through this residency, the Department of Theatre & Dance aims to award between one and three artists, artistic groups, and/or companies with funding ranging from $50,000 to $150,000, supporting both the creative process and community-centered practices integral to the artist’s residency. Residency Period: The residency will take place over a two to four week period during the University of Wyoming’s 2026-2027 academic year. Specific dates will be determined in collaboration with the selected artist(s) to best align with the university’s calendar and the needs of the proposed project.
o Deadline: December 8
o Application Fee: No Fee
o Eligibility: Creative artists, writers, and scholars of all backgrounds, geographies, and levels of experience are encouraged to submit a proposal. Proposals will be reviewed based on the following criteria:
• Artistic merit and originality of the proposed work
• Feasibility of the project within the scope and duration of the residency
• Potential for meaningful engagement with University of Wyoming students and the broader Laramie community Priority will be given to proposals that:
• Demonstrate a strong interdisciplinary approach that incorporates the disciplines within Theatre & Dance
• Thoughtfully incorporate the theme of Innovation in the Arts
o Contact: theatre_dance@uwyo.edu
Artcroft Center for Arts and Humanities
Residencies of an average of 2-8 weeks for visual artists, writers, actors, and performance artists. Residency provides housing, studio, and meals; artist responsible residency fee ($40/day), deposit (10% of residency fee), travel, materials, and local transportation.
o Deadline: Ongoing
o Application Fee: $25
o When: 2-8 weeks
o Eligibility: Residencies are available to established and emerging visual and literary artists 18 years of age and older without regard for race, gender, sexual orientation, or religion.
o Address: Artcroft Center for Arts and Humanities 2075 Johnson Rd. Carlisle, KY 40311
o Contact: artcroft@msn.com
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
Updates to our resources and opportunities have been made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
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#ScreenOpps
#ScreenOppsdec25
Submission Opportunities for Women in Film & Video
(previously known as Film/Video Funding Newsletter)
For full #ScreenOpps Listings please scroll
or click links below for specific listings
Film Festivals
Onscreen
Offscreen
Funding
Residencies
Other Resources
If you are a longtime recipient of #StageOpps and #ScreenOpps,
you know that they started as the Funding Newsletters,
brought to you by WomenArts, who still support the ongoing production of these opportunities as well as our Funding Resources pages.
WomenArts' founder and president, Martha Richards,
received the 2020 Elsa Rael VintAge Award
(for Advocacy for Women in the Arts & Media as They Age) from us
on Zoom Saturday, November 14, 2020.
Check out our VintAge page for more info.
Film Festivals
Horrorific Women Film Festival
The Horrorific Women Film Festival is a festival made to showcase the scariest and craziest films from women around the world. On the day of the festival, we will screen all of the nominees and have and award ceremony where we will announce the winners of each category and crown the Most Horrorific Woman Filmmaker. You can expect to experience meeting other amazing women filmmakers and networking with industry professionals!
o When/Where: September 12
o Deadline: December 1 (Early Bird Deadline), February 1 (Regular Deadline), April 1 (Late Deadline), June 1 (Extended Deadline)
o Application Fee: $6-$35
o Eligibility: Upon submission. Films must be original creations. By submitting their material, applicants agree to indemnify, protect, and defend the festival and its staff against any liability, claims, and damages associated with the submission, including fees and expenses. Failure to comply with the competition rules will lead to disqualification and forfeiture of the entry fee. Applicants commit to holding Horrorific Women Film Festival blameless and defending against any claims, demands, losses, damages, judgments, liabilities, and expenses arising from any submitted film.
Our festival places significant emphasis on upholding ethical and professional standards. Our rules and regulations form the bedrock of this commitment, and it is imperative that all participants adhere to these guidelines to ensure a just and respectful atmosphere for everyone involved.
Failure to Meet Submission Requirements: Submissions must conform to the specified criteria laid out in our rules and regulations, encompassing but not restricted to content, format, submission deadlines, and eligibility prerequisites.
Role requirement: Every film submission requires a woman filmmaker in a supportive position. Neglecting to meet this requirement may result in disqualification.
Foreign language: In all categories, If the film is any language besides English, subtitles much be included. Failure to include subtitles in your submission may result in disqualification.
AI (Artificial Intelligence): Submissions can not contain any AI (Artificial Intelligence). Any film found to have AI (Artificial Intelligence) will result in disqualification.
Unethical Conduct: Any unethical behavior, such as plagiarism, dishonesty, or any actions that undermine the festival's integrity, is strictly prohibited.
Lack of Responsiveness: Entrants must maintain open and timely communication with the festival organizers. Neglecting to respond to inquiries or furnish necessary information may result in disqualification.
o Categories: Short
Glass Ceiling Breakers: GCB
Theatre Revolution's Glass Ceiling Breakers Film Festival is the very FIRST film festival in the Hudson Valley to present the work of women filmmakers from all over the world. The film fest joined the well established women's short play festival and will take place at the Philipstown Depot Theatre in Garrison NY located alongside the beautiful Hudson River steps away from MetroNorth. The festival will include a workshop with artists and will offer networking opportunities with filmmakers, writers and actors. Dates of the festival will be June 5-7 with the possibility of another screening by the end of the year.
o When/Where: June 5-7
o Deadline: December 1 (Early Bird Deadline), January 1 (Regular Deadline), February 14 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $11-$45
o Eligibility: Films must have a running time of 20 minutes or less. At least two female or female identifying filmmakers must fill the role of Writer, Director, Producer, Cinematographer, Production Designer, and/or Editor to qualify to screen at our festival. Any of these roles can be filled by a man but 2 have to be credited to a woman. BIPOC filmmakers are strongly encouraged to submit.
o Categories: Short
Sick Chick Flics Film Festival
This is the 10th year for the Sick Chick's Film Festival! While we screen films for the public, this is largely a filmmaker networking event where filmmakers come together to support each other and their work. We are all about showing love to these wonderful people. You won't find a lot of "celebrities" here because we only celebrate our ladies and their work. They are our stars. We accept short and feature films in one of the following genres: Horror, Sci Fi or Fantasy. Our emphasis is female filmmakers so we do require that at least one of the primary creative roles is filled by a woman. We will be showcasing work by some of the best indie filmmakers from NC and around the world.
o When/Where: October 3-4
o Deadline: January 31 (Regular Deadline), March 31 (Late Deadline), May 31 (Extended Deadline)
o Application Fee: $25-$50
o Eligibility: All Short films must be under 21 minutes. All features must be at least 50min. We accept online screeners and digital downloads only. They must be in one of the following genres: Horror, Sci Fi or Fantasy.
We do accept films from all genders but because our emphasis is on supporting women in film we do require that at least one of the following primary creative roles is filled by a woman (writer, director, cinematographer/director of photography).
Films in the Sick Chick Flick Category must have a woman in at least three of the primary production roles one of which must be director. The others can be writer, cinematographer/director of photography, female lead, producer, specialfx, editor. The more women you have on your production team, the better your chances are of winning this award.
o Categories: Feature, Short
NYWIFT Member Screening Series
The New York Women in Film & Television Member Screening Series is a unique opportunity for NYWIFT members to showcase their work in a theatrical setting. The series features a diverse array of projects from both established and emerging filmmakers in celebration of our community of women filmmakers. The NYWIFT member screening is open to all current members of NYWIFT. Films are selected and notified on a rolling basis for screening in the series. Due to high demand, screening is not guaranteed though we do our best to accommodate as many members as possible. Films may be short or feature length and may be paired with other film(s) for the screening. All genres are welcome. Projects must feature at least one current NYWIFT member in a key creative role. Films should have been completed within the last 4 years. If you have submitted your film in the past we encourage you to submit it again now for future consideration.
NYWIFT Members have the unique opportunity to have their short film selected for a special NYWIFT Member Screening Shorts Showcase at the SOHO International Film Festival. Films selected for this showcase will also be considered official selections of the festival. If you would like your short to be considered for the SOHO Showcase, please note this on your application.
o When/Where: The series takes place September through November and January through June.
o Deadline: May 31
o Application Fee: None
o Eligibility: The NYWIFT member screening is open to all current members of NYWIFT.
Films are selected and notified on a rolling basis for screening in the series. Due to high demand, screening is not guaranteed though we do our best to accommodate as many members as possible.
Films may be short or feature length and may be paired with other film(s) for the screening.
All genres are welcome.
Projects must feature at least one current NYWIFT member in a key creative role.
Films should have been completed within the last 4 years.
If you have submitted your film in the past we encourage you to submit it again now for future consideration.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
o Contact: If you have any questions, please contact Katie Chambers at kchambers@nywift.org.
Reel Sisters of the diaspora Film Festival & Lecture Series
Reel Sisters of the Diaspora Film Festival & Lecture Series is the first Academy Qualifying Film Festival for short narratives devoted to women of color across the globe. Founded by African Voices magazine in 1997, Reel Sisters (www.reelsisters.org) accepts films written, directed, or produced by women/non-binary filmmakers of color. Reel Sisters presents in person and virtual screenings. Films showcased virtually are in competition for all awards including our Oscar qualifying award. Reel Sisters is an IMDb qualifying film festival. Reel Sisters celebrates our 29th Anniversary in 2026. Dates and venues will be added, our festival season begins with our Harlem kick off!
o When/Where: October 24-25
o Deadline: March 31 (Early Bird Film Deadline), April 30 (Regular Film Deadline), May 27 (Final Film Deadline)
o Application Fee: $35-$55
o Eligibility
We will need downloadable trailer links from FilmFreeway or Vimeo to help promote your film in our festival. You must submit the trailers and photos with your application. If your materials are not submitted with your application, your film will be disqualified.
Complete the details required, providing brief synopsis of the film, credits, production stills and trailers. We accept photographs in all formats including JPEGs, TIFFs and EPS (electronic photos must be 300 dpi resolution for promotional purposes).
All accepted films will be notified via email. Please make sure ALL of your Contact Information is up-to-date. If your email changed between the time you submitted your film and our Notification Date, please update it ASAP so we can correspond with you.
o Categories: Feature, Short, Documentary, Documentary Short, Animation
The Women’s Independent Film & Television Festival
The Women's Independent Film & Televison Festival is a chance to share and celebrate greatness in the world of female filmmaking. Our incredible community ranges from directors, to producers, to screenwriters, to actors, to content creators! Whatever the medium: We build this festival to shed light, deliver opportunity and celebrate the achievements of women in the world of filmmaking, storytelling and beyond! We're going into our 3rd year celebrating the Women's Independent Film Festival and we're so excited for this year's work, partnerships, competitions and more. Whether a finalist or not, all officially selected filmmakers will be invited to join us at the Women's Independent Film Festival for screenings, networking, resources, collaboration, learning, partnerships and for our official premieres and awards ceremony blocks. The Women's Independent Film Festival was created to encourage female content creators with unique backgrounds to share their stories/ The festival will promote the work of women filmmakers and recognize them globally for their achievements in film. Women have to be involved in the creation of ALL submitted films! That can be either as directors, producers, writers, performers, etc. Just as long as they were involved in the creation of the submitted work.
o When/Where: October 9-12 2026
o Deadline: January 31 (January Deadline), March 1 (February Deadline), March 31 (March Deadline), April 30 (April Deadline), May 31 (May Deadline), June 30 (June Deadline), July 31 (Regular Deadline), September 1 (Final Deadline)
o Application Fee: $10-$60
o Eligibility: All entries should be sent via FilmFreeway with a secure online screener. Each accepted film must be submitted in the .mp4 or .mov format, preferably. By submitting to the festival you confirm that you own the rights of the film, including the rights to the music in the film. By submitting to the festival you give consent to the festival programming staff to screen your work in front of the private audience of the Women's Independent Film Festival community. There is no minimum running time. Films must have been completed on or after Jan 1st, 2019. All genres are welcome Filmmakers may submit multiple entries as long as each film is submitted with its own Entry Form, online screener and paid Entry Fee.
o Categories: Shorts, Feature Film, Documentary, Animated
Latino Feedback Film Festival
This festival is an extension to the popular Feedback Festival in Los Angeles and is designed to showcase the best of Latino stories from around the world. We accept screenplays (short, TV Pilot, feature) and short films from all corners of the world. Showcasing all winning scripts & short films in the great city of Los Angeles at the LA LIVE Regal Cinemas.
o When/Where: May 5-26
o Deadline: November 14 (#4 Festival Deadline), December 14 (#5 Festival Deadline), January 14 (#6 Festival Deadline), March 15 (#8 Festival Deadline). April 14 (#9 Festival Deadline)
o Application Fee: $85-120
o Eligibility: Submit your FEATURE FILM and receive an audience feedback promotional/testimonial video of your film. Great video to use to get into more festivals and/or promote your film. All submissions receive feedback on their film no matter what.
o Categories: Short Film, Feature Film, Documentary, Animated
Atlanta Women’s Film Festival
The Atlanta Women's Film Festival is a live screening of short films and table read events that takes place in Atlanta, GA. This event is an amazing opportunity to promote female filmmakers, directors, writers, producers, actors, and female-centered storylines to our incredibly supportive film community. There will be live screening blocks of films with Q&As with the filmmakers, table reads for the screenplays in our competition, live panels with influential women in the film industry, and networking events for anyone that would like to attend. Script writers, in addition to submitting your script to the festival we also provide optional script coverage. Script coverage with our festival includes the price of your submission fee. Your work will be analyzed by a Cinema Life filmmaker who’s produced award-winning films, has extensive writing experience, and also understands the indie way of filmmaking.
o When/Where: September 23-27
o Deadline: November 30 (Early Bird Deadline), December 31 (Holiday Deadline), January 31 (New Year Deadline), February 28 (Regular Deadline), March 31 (Spring Deadline), April 30 (Late Deadline), May 31 (Extended Late Deadline), July 31 (Final Deadline)
o Application Fee: $15-60
o Eligibility: Please fully fill out your submission profile to avoid hold-ups in the judging process. Points may be taken off of overall scores for incomplete profiles.
o Categories: Short Film, Feature Film, Documentary, Animated, Music Video, Podcast
Wicked Queer: Boston’s LGBTQ + Film Festival
WICKED QUEER: The Boston LGBTQ+ Film Festival is the fourth oldest LGBTQ+ film festival in North America and it is largest LGBTQ+ media event in New England. Founded in 1984 by film programmer George Mansour, the festival has been hosted by the Museum of Fine Arts, Boston since the early nineties. In 2009 the festival expanded to include screenings at the Brattle Theatre in iconic Harvard Square, Cambridge, Mass. College of Art, Coolidge Corner, Brookline, and the Institute of Contemporary Art. Our mission is to build community and to celebrate Queer storytelling and filmmaking through the uplifting of voices and stories not yet heard and to present and preserve the vibrancy of our histories. In 2025, the festival screened over 130 films in 43 programs throughout the month of April, as well as, screenings in Nantucket, MA and Washington DC among others.
o When/Where: April 3-12
o Deadline: November 3 (Regular Deadline), December 15 (Late Deadline), January 30 (Extended Deadline)
o Application Fee: $25-75
o Eligibility: Filmmakers are required upon acceptance to have a COMPLETE press kit assembled with stills labeled with the film's name and poster images, trailer, synopsis, log line and social media handles. Moving toward our goal of becoming more accessible, all films, including English language, that are accepted must have ENGLISH CAPTIONS or SUBTITLES burnt onto a DCP with an MP4 back-up.
o Categories: Short Film, Feature
New Jersey International Film Festival
The Rutgers Film Co-op/New Jersey Media Arts Center proudly announces the 29th Annual New Jersey International Film Festival. The festival will be held between May 31- June 9, 2024 at Rutgers University, New Brunswick, New Jersey and will showcase the best in independent film by featuring premiere screenings, special guest appearances by film directors, screenwriters, cast and crew and more. For more information go to www.njfilmfest.com or e-mail us at NJMAC@aol.com or njmac12@gmail.com!
o When/Where: May 29-June 7
o Deadline: November 18 (Super Early Bird Deadline), December 8 (Early Bird Deadline), December 28 (Regular Deadline), January 17 (Late Deadline), February 6 (Super Late Deadline), February 26 (Super Super Late Deadline)
o Application Fee: $36-95
o Eligibility: This competition is open to U.S. and International entries. Maximum film age is 24 months. No repeat entries. If a work is selected for public screening entrants are contractually obligated to provide an exhibition copy suitable for screening and cannot withdraw their film from the festival. Entry must be a New Jersey or Area Premiere and must not be available to view in full on the internet! Please note we do not pay screening fees. Only finalists are notified in advance that their work has been selected to be part of the Festival.
o Categories: Short Film, Feature Film, Documentary, Experimental.
Female Eye Film Festival
The Female Eye Film Festival (FeFF) is a competitive international women directors’ film festival established in 2001, as a not-for-profit organization. FeFF is big on audience engagement and networking. An audience Q&A follows each screening. Festival delegates receive a VIP All Access Pass to the festival (screenings, script development, industry panels, tributes, workshops, and the closing awards ceremony). The Female Eye, noted for its intimate atmosphere and accessibility, attracts film enthusiasts, emerging and internationally recognized directors, screenwriters, seasoned industry professionals, celebrities, and decision-makers in the film and television industry. The Female Eye serves to bridge the gap between the written and media arts which includes the FeFF Photo Exhibit. We produce a robust Industry Initiatives Program consisting of panels, masterclasses, workshops, script development, live pitch competition and networking sessions. Annually, FeFF honors an Honorary Director and Honorary Maverick with a Best in the Biz Tribute, an “intimate conversation with” and award presentation. FILMS must be directed by a women or female-identifying. The Script Development Program is open to both men and women. Priority is given to scripts that feature a female protagonist. Our competitive Script Development Program is a three-tier program comprising the Good to Go, a closed-door session with decision-makers for screenwriters with scripts that are “good to go”; the Script-Reading Series, where main scenes are read by ACTRA members before a live audience and industry guests who provide feedback to the writers. Voted one of the “Top 50 film festivals in the world worth the entry fee” by Movie Maker magazine for 12 consecutive years (2013–2024). FeFF is an accredited festival by the Academy of Canadian Cinema & Television and a Telefilm Talent to Watch partner. In 2024, FeFF, in partnership with the The Writers Lab (NYC) and the Firecracker Department launched the first Lab in Canada.
o When/Where: November 3-8
o Deadline: December 31 (Early Bird Deadline), February 28 (Regular Deadline), April 30 (Late Deadline), June 5 (Extended Deadline)
o Application Fee: $50-$100
o Eligibility: Films must be directed by women. The Script Development Program is open to both men and women. Screenplays written by men must feature a female protagonist. Films must be produced within two years of the festival, and they cannot be streaming, televised, or playing theatrically in Canada. We give priority to films that have not yet screened in Toronto. The fee for the competition is applicable to all deadlines. Filmmakers and screenwriters must elect to compete for an award. The flat fee to enter the competition is $100 regardless of the deadline, genre, or project duration. FeFF programmers can also choose to nominate a project into the competition if they feel a project is award-worthy.
o Categories: Feature, Short, Screenplay
Big Apple Film Festival and Screenplay Competition
Big Apple Film Festival is CURRENTLY accepting entries for the SPRING 2025 edition. Big Apple Film Festival (Fall Edition) will take place November 18 - December 12 at Look Dine-In Cinemas in the heart of NYC, with additional film screenings taking place at Look Dine-in Cinemas in LOS ANGELES. In addition to film screenings and screenplay competition, BAFF presents numerous networking opportunities, including Meet The Agents and Managers Conference, industry panels, networking receptions, along with year round industry networking and mentoring sessions. ALL submitters to this season's festival will receive complimentary access to select networking and mentorship events.
o When/Where: May 18-21
o Deadline: November 11 (Early Discount Deadline), December 2 (Film Freeway Discount Deadline), December 23 (Baff Discount Deadline), January 13 (Final Discount Deadline), February 3 (Film Freeway Early Deadline), February 24 (Baff Early Deadline), March 17 (Official Entry Deadline), April 7 (Final Entry Deadline)
o Application Fee: $45-$210
o Eligibility: Big Apple Film Festival accepts submissions for feature films, short films, feature documentaries, short documentaries, animation, episodic, music videos, student films, feature length screenplays, series/episodic pilot scripts and short screenplays.
All films submitted must have been completed on or after January 1, 2022.
All films must be submitted with an online screener
All feature narrative and feature documentary submissions must be over 60 minutes in length.
All short film narrative and short documentary submissions must be under 60 minutes in length.
Animation, episodic, and student film submissions of all lengths will be considered.
Music Videos must be under 10 minutes
BAFF will present selected films as a live in person event.
Submission fees are non-refundable
SUBMITTER MUST HOLD ALL NECESSARY RIGHTS AND CLEARANCES TO ALL MATERIAL SUBMITTED TO BIG APPLE FILM FESTIVAL, LLC
The organizers of the Big Apple Film Festival and Screenplay Competition wish to make it clear that while we welcome and appreciate all submissions to our festival, we are unable to provide individualized feedback on entries. Furthermore, the selection process for our festival is subjective and may involve various factors related to overall programming considerations. BAFF is under no obligation to provide feedback or comments regarding submitted films or scripts to any applicant. As such, Big Apple Film Festival is not obligated to explain why a particular film or script was not selected for inclusion in the festival, or why a particular script did not advance in our screenplay competition. Our decisions are final and not open to negotiation or appeal.
o Categories: Feature, Short, Screenplay
New Faces New Voices
Now in Year 7, New Faces New Voices is determined more than ever to continue discovering and highlighting new works often ignored by the mainstream and Hollywood. In just a few short years NFNV alums are making waves in the industry with theatrical and streaming distribution on Netflix, Sony Pictures Worldwide and more. Some of our most recent Alums were featured on CNN, ABC News and other local media outlets. NFNV showcases inclusive and diverse voices from around the world and is known for highlighting underrepresented communities - filmmakers of color, female filmmakers, members of the LGBTQ+ and disabled communities, including works by military veterans. Our recent alums include: Leah Kreitz who can now be seen in the NETFLIX series “Dash and Dilly”; Diane Paragas, who screened her short film “Unstoppable” in our first year, just acquired worldwide theatrical distribution for her debut feature “Yellow Rose” by Sony Pictures Worldwide and was featured in a story on CNN; And Molly Clark, who won an award earlier this year for her short film “Martin The Sea Turtle,” was just featured in a story on ABC News. In 2025 we have over $15,000 of in-kind prizes provided by Universal DCP, JMR Rentals, Bowery Film Festival, Screenblade, and International Screenwriters’ Association.
o When/Where: May 4-7
o Deadline: November 9 (Regular Deadline), November 30 (Late Deadline), December 20 (Extended Deadline), January 9 (Final Deadline)
o Application Fee: $44-$120
o Eligibility: To be eligible, at least one member of the production team must be a part of an underrepresented community such as filmmaker of color, female filmmaker, LGBTQIA+, military veterans, disabled folks etc. Either writer, director, or producer must fit this category. If you feel that you fit a community that is underrepresented or marginalized, please submit your work. We are open to all voices and faces with unique perspectives.
o Categories: Feature, Short, Screenplay
Glass Ceiling Breakers: GCB
The Glass Ceiling Breakers Film Festival is the very FIRST film festival in the Hudson Valley to present the work of women filmmakers from all over the world. The film fest joined the well established women's short play festival and will take place at the Philipstown Depot Theatre in Garrison NY located alongside the beautiful Hudson River steps away from MetroNorth. The festival will include a workshop with artists and will offer networking opportunities with filmmakers, writers and actors.The festival will include a workshop with artists and will offer networking opportunities with filmmakers, writers and actors. Dates of the festival will be June 5-7 with the possibility of another screening by the end of the year.
o When/Where: June 5-7
o Deadline: December 1 (Early Bird Deadline), January 1 (Regular Deadline), February 14 (Late Deadline), March 15 (Extended Deadline)
o Application Fee: $11.25-$45
o Eligibility: Films must have a running time of 20 minutes or less. At least two female or female identifying filmmakers must fill the role of Writer, Director, Producer, Cinematographer, Production Designer, and/or Editor to qualify to screen at our festival. Any of these roles can be filled by a man but 2 have to be credited to a woman. BIPOC filmmakers are strongly encouraged to submit. Screeners: We only watch submissions visible through the FilmFreeway portal. Digital screeners must be provided in standard HD 1080p. Films selected for Best of the Fest will be DCP
o Categories: Short
WRPN Women’s International Film Festival
Welcome to the WRPN Women's International Film Festival, where distribution and feedback opportunities abound for films made by women or those that address issues affecting women. WWIFF is a sister festival to the Depth of Field International Film Festival, a FilmFreeway “Top 100 Reviewed” festival alumnus.
o When/Where: June 20
o Deadline: October 31 (Regular Deadline), November 30 (Late Deadline), December 31 (Extended Deadline), March 31 (Last Chance)
o Application Fee: $50-$130
o Eligibility: While WWIFF is a female-focused film festival, we also accept films produced and/or directed by men if one or more self-identifying top production members are female (including, but not limited to, cinematographers, producers, writers, editors, or films featuring a strong female presence on screen). We will not exclude films directed by men if the topic is significant to women and women's issues.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
New York Independent Women Film Festival
The New York Independent Women Film Festival is a live event dedicated to discovering, supporting, and promoting independent women filmmakers or films centered around women's experiences. The festival provides a global stage for short films and feature films, celebrating the creativity and vision of female directors, writers, actors, and cinematographers. With awards in various categories, the festival recognizes exceptional achievements in directing, acting, writing, cinematography, and more. Each selected film is offered the opportunity to be showcased to a broad audience, including film critics, industry professionals, and fellow filmmakers, all while highlighting the diverse voices of women in the film industry.
o When/Where: January 22
o Deadline: October 18 (Late Deadline), December 6 (Extended Deadline)
o Application Fee: $35-$40
o Eligibility: The festival is open to women filmmakers from all countries or films made about women. Films can be in any language, but those not in English must include English subtitles to ensure accessibility for a global audience.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
Katra LatinX Film Festival
The 5th Annual Katra Latinx Festival call for entries now open! Presented by DIGITAL OCEAN, the Katra LatinX Festival is the premier independent Latino film event in the country. After launching virtually in 2020, KLX proudly returned to NYC for in-person screenings this year to great fanfare and audience thirst for Latino content. Katra’s Latinx mission is to champion independent Latino talent in front of and behind the camera where it belongs. KLX is an offshoot of the world-renowned Katra Film Series and was formed after the release of the 2019 UCLA Diversity Report revealed the dearth of the Latinx diaspora in Hollywood. KLX aims to change that by discovering, exhibiting and promoting new works by underrepresented Latinx Filmmakers with theatrical screenings, panel discussions, workshops and distribution opportunities. All of our official selections will be offered a distribution deal with one of our major streaming partners and will compete for $10,000+ in prizes. KLX is dedicated to empowering and showcasing Latinx filmmakers from around the world including screenwriters, episodic creators, music video directors and more. To be eligible for consideration two key members of the production must be of Latinx descent (either writer, director, producer, or actor). We accept features, short films, episodics, microshorts, TV pilots, documentaries, music videos, experimental films, animation, screenplays and more.
o When/Where: August 11-14
o Deadline: October 20 (Earlybird Deadline), November 9 (Regular Deadline), November 30 (Late Deadline), December 20 (Extended Late Deadline), January 9 (Final Deadline)
o Application Fee: $20-$110
o Eligibility: All submissions must have been completed after January 1, 2019 and be subtitled in English.
There is no premiere policy.
Works-in-progress are accepted.
Exhibition Format: quicktime file or apple prores
Submitters understand that submission of their work authorizes the Katra Film Series to screen the work, and use the work for any exhibition, education and/or publicity purposes related to Katra Film Series. Katra Film Series is not responsible for any claim involving copyright, trademark, credits, or royalty infringement related to the work. Submitters may receive future correspondence from the Katra Film Series.
Submission Fee
The submission fee is non-refundable.
o Categories: Short Film, Documentary Short, Animated Short, Full-Length, Web-Series, Comedy Short
The Women’s Voices Now Online
Women’s Voices Now is a 501(c)3 non-profit organization using film to drive positive social change that advances women's and girls' rights globally. Our Film Festival promotes emerging women filmmakers using social-change films to advocate for women’s and girls’ rights around the world, by: Providing a PLATFORM for emerging filmmakers telling essential, authentic stories. Offering CASH PRIZES and VISIBILITY. Facilitating NETWORKING with other filmmakers and media industry professionals. Since 2011, our independent film festival has received 965+ impactful social-change films from more than 85+ countries, brought them to millions of viewers in 178 countries around the world, and awarded $118k in cash prizes! Our festival is a month-long event. Pre-selected & selected films are made available to event ticket holders for a limited time (through password protected links on Vimeo). Our culminating festival event provides the opportunity to recognize our amazing filmmakers, winning films, and the importance of women in film!
o When/Where: March 25-April 30
o Deadline: October 1 (Early Bird Deadline), November 1 (Regular Deadline), December 1 (Late Deadline)
o Application Fee: Free - $60
o Eligibility: To be considered for our festival, films must fall into the DOCUMENTARY genre (creative documentaries encouraged!). Our festival specifically promotes women filmmakers using SOCIAL-CHANGE films that advocate for women’s and girls’ rights around the world.
o Categories: Documentary Feature, Documentary Short
Through Women’s Eyes International Film Festival
Welcome to Reel Equals International Film Festival, a production of Through Women's Eyes in beautiful Sarasota, Florida! Our signature 27th annual festival, Reel Equals, is March 5-10, 2026, and we supplement this with year-round Pop-Up film showings. We are a mission-driven festival, dedicated to supporting women filmmakers and films by anyone that address issues inadequately represented in the mainstream media. We are an international festival, and every year we host significant numbers of films from all over the world.
o When/Where: March 5-10
o Deadline: October 15 (Regular Deadline), November 10 (Late Deadline), December 1 (Entry Close Deadline)
o Application Fee: $20-$90
o Eligibility: All films must be in English OR contain English subtitles. All subtitles must be clearly within the visible frame.
All film genres are accepted.
Emerging Filmmaker category: to be eligible for the Emerging Filmmaker category, the producer or director must be either under the age of 30 OR enrolled in an accredited film school during the production of the submitted film. Documentation proving one of these criteria is required at the time of submission. For example, submission of a valid government ID or a student card/transcript. Please send documentation to team.throughwomenseyes@gmail.com. If this is your “first” film and you are NOT under 30 or enrolled in an accredited film school, please do not submit in the Emerging Filmmaker category. Your film will not be considered and your submission fee will not be refunded. You may resubmit in the general festival categories.
4. Films must have been completed AFTER December 1, 2022. All film submissions will be reviewed initially by 2 - 3 screeners; high-scoring films will then be reviewed by our advisory panel and referred to a final selection committee.
If selected, TWE has the right to use stills, posters, titles, or any information from the submission for promotional purposes.
Films that are publicly available prior to our festival, either in theatrical release or through electronic or digital media, or DVD sales, may not be selected. The only exception is showings in recognized film festivals.
EXHIBITION COPY OF ALL FILMS ACCEPTED MUST BE IN DCP FORMAT ONLY by upload to our digital partner. THERE ARE ABSOLUTELY NO EXCEPTIONS TO THIS EXHIBITION FORMAT. Details will be provided to accepted filmmakers.
Films selected for the festival will be shown in both the live and online festival.
o Categories: Shorts, Feature Film, Documentary, Animated
Flow Festival and Film Market
FLOW (Florida Leaders Opening Worlds) Film Festival and Film Market is an international Film Festival that focuses primarily on promoting women in the film industry in non-traditional senior and leadership roles. Our mission is to encourage the growth of opportunities for women in important and male-dominated positions in the film industry, to fight gender bias and pave the way for an aspiring new generation of female film makers, through highlighting both their significant contributions and the films and film industry stakeholders who employ them
o When/Where: February 26 - March 2
o Deadline: November 27 (Late Deadline), January 1 (Extended Deadline)
o Application Fee: $15-$130
o Eligibility: Content submitted to FLOW festival will be promoted on our website, in printed materials (such as the festival program) and in our press and marketing activity (this can include presenting films that we have selected to the press). The filmmaker gives us the right to use the name of the film and the images submitted for the uses listed.
o Categories: Feature, Short, Animated, Screenplay
Los Angeles Diversity Film Festival
Our mission is to create a true multicultural experience represented by the world’s independent film community where filmmakers showcase their voices without judgment, stereotypes, degradation or insincere reflection. We support the following topics, filmmakers and communities: LGBT, Disability Culture, Racial/Ethnic Diversity, Religious Diversity, Family structures, as well as other social diversities including the aging population and youth in cinema.
o When/Where: September 18-20
o Deadline: October 17 (Early Bird Deadline), December 18 (Regular Deadline), February 13 (Late Deadline), April 1 (Extended Deadline)
o Application Fee: $40-$95
o Eligibility: To be eligible to screen, your film does not have to be a Premiere. Films must be original works, or you must have official permission and licensure to exhibit someone else's work. If you submit a film with copyrighted or trademarked materials, and you do not have written permission to use them, you are not be eligible to screen. Films can be original or adapted works, but you must have written permission to use copyrighted or trademarked content. Your film must be in English, or subtitled in English.
o Categories: Short, Documentary, Pilot, Music Video
Brooklyn International Short Film Festival
Brooklyn International Short Festival invites filmmakers from around the world to submit their works, to be seen in the cultural heart of Brooklyn. The festival aims to gather emerging talent not only from the US but also from around the world. Filmmakers and artists have been attracted to Brooklyn and have used its potential as a setting for their films, and we hope to use these cultural networks to present you with unique festival experiences. Short films take a special place in the cinema universe. They are harder to access and have difficulties reaching larger audiences, and we hope to do our best to support them. Join our global network of Filmmakers, Actors, Directors, Producers, Writers, Photographers and everyone in between now! Be part of a vast and growing community. All filmmakers will be allowed to develop their work and have their films seen by many more! Short films of all genres are welcome. Maximum length: 40 minutes.
o When/Where: February 20
o Deadline: September 30 (Regular Deadline), October 24 (Late Deadline), November 28 (Super Late Deadline), December 20 (Final Deadline), January 14 (Extended Deadline)
o Application Fee: $40-$57
o Eligibility: Each short film must be entered for one of the competitions named in the Awards and Categories Section.
There is no restriction about the date of the production of the films.
The running time of films entered for the competitions should not exceed 40 minutes.
Nominations: These are all the films that have been nominated for an award in a category. Not all nominated films will be screened. Winner Selection: These are all the winner films selected for screening, which will be notified via email. If you received a Nomination email, but no Winner Selection email, it means your film will not be screened, and did not receive any award.
Each participant is responsible for the content of his/her work and for any possible copyright problems.
The official language of the Festival is English. Films must be subtitled in English.
o Categories: Short, Documentary Short, International Short
Los Angeles Latinx Film Festival
The LA Latinx Film Festival champions work produced by filmmakers of Latinx decent as well as stories about Latinx culture and heritage. We will be accepting submissions from LATINX DIRECTORS, WRITERS, MAJORITY LATINX CREW (at least 50%) and/or LATINX STORIES of ANY GENRE. We are an affiliate festival of the LA FILM FESTIVALS organization that has the dual emphasis of discovering great talent with the purpose of promoting their work to both the LA public and the entertainment industry, as well as showcasing the work of seasoned professionals and well known stars. LA Film Festivals began with the Biannual LA Comedy Festival in 2001, adding the biannual LA Indie Film Fest in 2007. The LA Film Festival family has since expanded to 12 independent film festivals, including LA Horror Film Fest, LA Action Film Fest, LA Sci-Fi Film Fest, LA Animation Film Fest, LA Black Film Fest, LA Asian Film Fest, LA Latinx Film Fest, LA Queer Film Fest, LA Women in Film Fest and LA Student Film Fest. Over the years, LA Film Festivals have attracted thousands of filmmakers from around the world. Each festival features live screenings in our own Let Live Theater in the heart of Los Angeles. Our 80-seat theater, in the heart of Hollywood, is outfitted with a Christie DLP projector and seven JBL speakers throughout the venue, delivering top notch quality in an intimate screening environment. Filmmakers whose work is accepted into our festival will receive free passes to screenings, invitations to networking events and are eligible for awards consideration.
o When/Where: January 15-18
o Deadline: September 12 (Late Deadline), October 3 (Fashionably Late Deadline), October 24 (Final Deadline) November 14th (11th Hour Deadline), December 5 (Last Chance)
o Application Fee: $22.50-$91
o Eligibility: All Films must feature work produced by filmmakers of of Latinx decent as well as stories about Latinx culture and heritage. We will be accepting submissions from LATINX DIRECTORS, WRITERS, MAJORITY LATINX CREW (at least 50%) and/or LATINX STORIES of ANY GENRE.
Film Entrants must submit online screeners through FilmFreeway for consideration.
Entry forms and payment will not be processed without accompanying Preview Copies in one of the accepted formats for film applicants.
All entries must be in English or - SUBTITLED, DUBBED, unless special arrangements have been made with festival.
All films selected for screening at the festival grant LA FILM FESTIVALS the right to use stills and excerpts of up to two minutes for promotional purposes.
LA Film Festivals is not responsible for any lost, stolen or damaged entries.
Exceptions to the festival regulations must be authorized by one of the Festival Directors.
Multiple entries are permissible, but each entry must be accompanied by a separate Entry and fee.
Submissions will not be returned.
All fees are nonrefundable.
Submission to the festival is not a guarantee that your film will be screened.
o Categories: Feature, Short, Documentary, Documentary Short, TV Pilot, Music Video
San Francisco International Film Festival
SFFILM champions the world's finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area. Founded in 1957, the San Francisco International Film Festival (SFFILM Festival) is the longest-running film festival in the Americas. Held each spring and highly anticipated by its loyal and passionate audiences, the Festival is refreshingly intimate for a festival of its size and scope, and traditionally combines a range of marquee premieres, international competitions, compelling documentaries, live music performances, and star-studded red carpet events. SFFILM is currently moving forward with planning its Festival for April 2022 with both in-person and online events, parties, talks and more. Exact dates, venue footprint, and in-person event structure are all subject to some change based on the realities of producing a safe and accessible film festival at that time.Opportunities for Filmmakers Since 1991, SFFILM Education’s Schools at the Festival program has provided the Bay Area educational community with the opportunity to experience stories from around the world. Schools at the Festival annually introduces thousands of students ages 6–18 and their teachers to international film and the art of filmmaking while promoting media literacy, deepening insights into other cultures, enhancing foreign language aptitude, developing critical thinking skills, and inspiring a lifelong appreciation of cinema. Festival filmmakers can participate via student screenings, school visits, hands-on workshops, and more. SFFILM's year-round Artist Development programs provide significant financial and creative resources to independent narrative and documentary filmmakers from around the world through grants, fellowships, residencies and more. Since 2009, over $8 million has been awarded to more than 250 film projects in various stages of production. Festival filmmakers are invited to a series of industry talks and pitch sessions, and can meet with the SFFILM Makers team to discuss future projects and funding opportunities.
o When/Where: April 23-May 3
o Deadline: September 26 (Early-All Films), November 12 (Regular Deadline, Last Deadline Shorts), December 10 (Final Deadline–Feature, Mid Length, Youth)
o Application Fee: $30-$80
o Categories: Feature Films, Documentaries, Animated, Shorts
Warped Witch Film Festival
Warped Witch (formerly Southern Gothic) is a dynamic film festival led by women which empowers filmmakers in our community. We value inclusivity above all else, welcoming filmmakers from diverse backgrounds with open arms. We provide a platform for their unique perspectives and embrace the weird, the strange, the unorthodox, and the unconventional. Our mission is to celebrate the beauty of diversity and encourage everyone to dare to be different! Go beyond the norm! While the roots of our festival remain in the essence of horror, we go beyond the boundaries showcasing films from all genres! All types of cinematic expressions are welcomed! Filmmakers who attend will get the opportunity to network and mingle with other filmmakers during the fest. We will also have a Q&A session after every block so you will get to speak about your films to an audience of film lovers! We want to be able to include other artists in our festival as well. There will be artists vending in the lobby and the entertainment will be provided by our amazing local drag community! Costumes are highly encouraged! Come out and have a spooky good time with us!
o When/Where: June 12-13
o Deadline: August 4 (Early Bird Deadline), December 17 (Regular Deadline), March 3 (Dead Deadline)
o Application Fee: $10-$40
o Eligibility: Film submissions must be provided on digital files.
Submissions must be English language or English subtitled.
Include title and name of contact on all media.
Southern Scream Film Festival reserves the right to change submission categories.
Eligibility and category determinations, along with prize awards, are the sole discretion of the Festival.
Submissions may be screened more than once during the Festival and at events post festival.
All films must be under 20 minutes.
o Categories: Short Film, Feature Film, Student Film
Valkyrie International Film Festival
Valkyrie International Film Festival (VIFF) spotlights films directed by women of all backgrounds and advances the cause of women in film. Held every year in March (Women's History Month), VIFF was founded by Tamar Lamberson and her daughter, Kaelin Lamberson. VIFF seeks impactful films in all genres. If a woman directed it, we want to see it! VIFF will screen narrative, documentary, and experimental shorts and features. The only requirement is that every film selected for screening must have been directed by a woman. VIFF will be held on Thursday, March 21st - Monday, March 25th, 2024 at The Screening Room Cinema & Arts Café, a boutique digital cinema located in Amherst, New York, just outside Buffalo. The Screening Room features a large screen and surround sound, with mixed dining room and theater seating. The venue is a staple of the indie film scene in Western New York. Beer and wine are available. VIFF will only hold in-person screenings. VIFF will serve as a platform for female directors to come together, support each other’s work, and discuss the challenges and advances of women in film. The programmers will present awards, but view the event as a celebration rather than a competition. VIFF will be held during Women’s History Month each year. We are accepting all female-directed films, of all genres, completed 2019 – present.
o When/Where: May 29 - June 2
o Deadline: August 31 (Early Bird Deadline), November 30 (Regular Deadline), March 6(Late Deadline), April 6 (Extended Deadline)
o Application Fee: $18-$50
o Eligibility: NO WAIVERS.
Only films directed by females will be selected.
Any co-directors must also be female.
Films must be in English or subtitled in English.
All exhibition screeners must be MP4 digital files .
All films must have been completed 2019 – present.
Anyone submitting a film to VIFF warrants that they are authorized to do so.
o Categories: Short Film, Feature, Documentary, Animation. Experimental, Music Video
Beirut International Women Film Festival
Beirut International Women Film Festival (BWFF) is an annual event organized in Beirut by Beirut Film Society, under the theme “Women for Change”; gathering filmmakers and cinema lovers from all over the world, BWFF tackles issues such gender equality, sexual identity, domestic violence among others through the power of the lens and cinema which is the window to society and particularly women in this case. BWFF, which comprises films about women and/or executed by women, aims to highlight the power of women in different life situations, the festival organizers believe in promoting a positive image of women struggling with dignity to make a change in their environment.
o When/Where: August 19-25
o Deadline: August 5 (Active Submitter Deadline), September 5 (Midway to the Festival), October 5 (End of Summer Submissions), November 5 (Regular Deadline), December 5 (Late Deadline), February 5 (Exceptional Submissions)
o Application Fee: $7-$45
o Eligibility: Filmmakers are invited to submit their original work to Beirut International Women Film Festival (BWFF) for the above listed categories and as per the assigned duration of each category.
FILMS PRODUCED AFTER JANUARY 1, 2020 ARE ELIGIBLE FOR SUBMISSION.
FOR INTERNATIONAL FEATURE FILMS SUBMISSIONS, LEBANESE PREMIERE IS A MUST – FEATURE FILMS THAT WERE SCREENED PREVIOUSLY IN LEBANON WON’T BE TAKEN INTO CONSIDERATION.
BWFF supports travel cost for directors of selected international films to Lebanon during the festival days. (Conditions apply)
Submission fees are non refundable and non reimbursable under any circumstances; BWFF does not reimburse any submission fees for films who are not selected for the festival program, or who withdrew their submissions at any time.
BWFF retains the right to accept or decline any film, for whatever reason, without any explanation.
Applicant admits that he/she is authorized to submit the film, being the rights-holder or authorized representative of the film.
BWFF receives exhibition copy in QuickTime 1080p HD 8 bit uncompressed or Apple ProRes file or equivalent via a downloadable link.
All non-English speaking films must have adequate English subtitles.
Screening fees must be declared prior to or upon submission. If a screening fee is only indicated after the official selection has been announced, the Festival retains the right to revoke the film's acceptance.
Beirut International Women Film Festival (BWFF) holds the right to:
Use the selected films for trailers and publicity usage
Screen the winning films in other related events inside Lebanon, and recommend the winning films to other international film festivals that collaborate with BWFF after the approval of the filmmakers.
o Categories: Shorts, Feature Film, Documentary, Animated
Everybody is Somebody
The Albuquerque Film Festival, with the mantra 'Everybody is Somebody,' stands as a beacon of digital celebration for the world's storytellers. Nestled in the heart of New Mexico's vibrant capital, Albuquerque, our festival opens its doors wide, welcoming a kaleidoscope of cinematic talent from every corner of the globe. Dive into the fray with your masterpieces, as we call for submissions across all film genres; there's a spotlight here for every creator, regardless of nationality. It's your time to shine, to vie for prestigious awards across a multitude of categories. Let's unite. Let's craft. Let's rejoice. Boasting a spectrum as broad as the imagination itself, our festival invites you to join an esteemed circle, where selected films don't just screen—they compete for a host of distinctions, bestowed both by our expert panel and the audience's voice. Rest assured, every entry is given the attentive gaze it deserves. As seasoned filmmakers, we resonate with the dedication poured into your craft. That's why we elevate Officially Selected films with a spotlight dialogue—up to 10 minutes of in-depth conversation about your creative journey, shared on our official website, YouTube channel, and across social media landscapes. Our committee is as varied as the films we celebrate, featuring a global tapestry of professionals—Architects to Entrepreneurs, Artists to Filmmakers, and VFX Producers—each bringing a unique perspective to the screen. Every submission is watched thoroughly, ensuring your vision is seen and appreciated in its entirety. Our Goals:To broadcast fresh, trailblazing narratives and cinematic discourse from across the world.To offer an exclusive glimpse into the pioneering realm of New Cinema.To foster the exchange of ideas and experiences among our event's vibrant participants. Our Creed: We are the champions of the cinematic dreamer, the believers in the power of story. The 'Everybody is Somebody' Albuquerque Film Festival is dedicated to showcasing the most diverse array of narratives. Our mission? To empower every filmmaker with a burning passion, to connect creators with audiences, and to help solidify their mark in the ever-expanding universe of film.
o When/Where: March 27-29
o Deadline: July 7 (Deadline 4), August 4 (Deadline 6), September 1 (Deadline 7), October 6 (Deadline 8), November 3 (Deadline 9), December 1 (Deadline 10), February 9 (Final Deadline)
o Application Fee: $15-25
o Eligibility: We accept all fiction and non-fiction film genres. All age groups are accepted. Projects submitted must be the original work of the participant. All submission will be received through Film Freeway only. No Exceptions.
o Categories: Feature, Short, Animated, Documentary, Music Video
B!tchFest Film Festival & Screenplay Contest
B!tchFest is more than just a festival — it’s a community! One that extends far beyond the event itself. We are invested in the success of your films and screenplays, offering a space for support, connection, and collaboration for all of our past and present submitters. In an industry where women hold just 26% of key film production roles and only 16% of major studio films feature LGBTQIA+ characters, we’re on a mission to build a supportive network to unite and empower minority creator. B!tchFest is an INTERNATIONAL WOMEN'S & LGBTQIA+ FILM FESTIVAL & SCREENPLAY CONTEST with a groundbreaking in-person event for both filmmakers and screenwriters in the heart of Los Angeles. At B!tchFest we’re not just breaking glass ceilings; we’re shattering them into a million pieces by unleashing the POWER of FEMALE and LGBTQIA+ VOICES in film and television! By providing a platform for RECOGNITION, AWARDS, PROMOTION, and DEVELOPING NEW CONNECTIONS we aim to break barriers and pave the way for a more inclusive entertainment industry.
o When/Where: February 28
o Deadline: May 20 (Early Deadline), July 1 (Regular Deadline), August 12 (Late Deadline), September 23 (Last Minute Deadline), November 4 (Extended Deadline), December 16 (Final Deadline)
o Application Fee: $36-$70
o Eligibility: All writers and filmmakers must be at least 18 years old for their project to be eligible. All genres of films and screenplays are accepted.
There is no limit to the number of projects you may submit and multiple entries from the same submitter are accepted. You are allowed to submit the same project to multiple categories.
The entry fee applies to each category. Submitting to Best Feature Film, Best Short Film, Best Documentary Film, Best Female Directed Film, Best Student Film, Best LGBTQIA+ Film, Best TV Pilot, Best Web Series, Best Short Social Content Video, and Best Music Video qualifies your project for festival consideration. Additionally, it makes your Cast & Crew eligible for free consideration for Secondary Award Categories like Best Actress, Best Director, Best Cinematography, etc.
For consideration, film projects must feature at least one woman or a member of the LGBTQIA+ community in a key production role, such as Director, Writer, Producer, Cinematographer, Lead Actress/Actor, etc. Or the film should address women’s or LGBTQIA+ issues and themes to be eligible.
For screenplay submissions, we prefer scripts written by women and/or members of the LGBTQIA+ community. While screenplays written by men and non-LGBTQIA+ individuals are welcome, they must either focus on female or LGBTQIA+ characters or address women’s or LGBTQIA+ issues and themes to be eligible.
Writers and filmmakers who reside in countries other than the United States are welcome to enter the contest; however, all scripts must be submitted in English, and all foreign language films must contain English subtitles or be dubbed in English.
Judges, sponsors, administrators, employees and independent contractors who currently or have previously worked with or for the B!tchFest Film Festival and Screenplay Contest are not eligible to enter the festival, nor are their spouses or immediate family members.
Entry fees are as listed on the FilmFreeway site checkout form. All entry fees are non-refundable. No coupon or discount is applicable on a previously submitted entry. Entries must be received on or before the listed deadline dates by 11:59PM Pacific Time, and submission fee payment must be paid in full at time of the submission.
Our in-person festival will feature screenings for the winners of each applicable category, trophy award presentations, red carpet photos, live-recorded Q&A panels with film and screenwriting winners, and an industry meet-and-greet event.
B!tchFest Film Festival and Screenplay Contest reserves the right to make essential changes, postponements, reschedules, or cancellations to competition dates, deadlines, announcement dates, awards, categories, and/or the festival venue at our discretion without contestant consent. The organizers may modify or opt not to award any listed prizes. B!tchFest reserves the right to amend our rules, terms, release agreements, and conditions at any time.
The decisions of the judges are final and cannot be contested in any manner. There is no score on a scorecard that guarantees advancement to the festival as advancement will be based on the total competition scores as a whole.
By submitting to B!tchFest Film Festival and Screenplay Contest you agree to our terms and conditions and to receive marketing newsletters, film festival discounts, and updates relative to this contest and any affiliated sources in the Whoever submits a project shall hold harmless B!tchFest Film Festival and Screenplay Contest and its judges and associates from and against any and all claims, liabilities, damages, losses, and expenses (including but not limited to attorney's fees, and costs of the court) which may be incurred by reason of any claim involving copyright, credits, publicity, trademark, screening, and loss of or damage to any materials submitted to our festival.
Notification of Winners and Official Selections will be sent by email and posted on our website BitchFestLA.com. It is the entrant(s) responsibility to provide us with current contact information for notification purposes and to keep the submission service updated. B!tchFest Film Festival and Screenplay Contest has no responsibility for correspondence that is misdirected as a result of the entrant(s) failure to provide us with current and correct contact information or that is sent to spam or junk mail folders.
Should an entrant win an award at B!tchFest Film Festival and Screenplay Contest, they will receive the award in-person at the Festival Awards Ceremony in Los Angeles. If not present, it is up to the recipient to arrange for a representative to receive the award on the submitters behalf. If a representative of the project is not at the festival in-person, no award will be presented. The festival is not required to ship awards to recipients who do not have a representative of the project present at the festival. However, shipping can be arranged on a case by case basis at the festival’s discretion.
B!tchFest Film Festival and Screenplay Contest and the employees and judges thereof, claims no ownership nor option on your work. All ownership and rights to screenplays and film projects submitted to this festival remains with the original rights holders.
All entrants understand and agree that there are a diverse amount of story contexts and ideas, and in no way is B!tchFest Film Festival and Screenplay Contest responsible, not now or in the future, for borrowing or stealing from an idea, copy written concept, or storyline from any film or screenplay entry.
Entrants grant B!tchFest Film Festival and Screenplay Contest permission to use their name, likeness, contact information provided, submitted work's title, logline, trailer, poster, and Grand Jury Results for publicity and promotional purposes. Contest participation signifies entrants' consent for B!tchFest Film Festival and Screenplay Contest, its agents, and contest sponsors to use their information for promotional purposes in any media, globally, without payment or consideration. All use of entrants’ information is in accordance with our Privacy Policy.
B!tchFest Film Festival & Screenplay Contest employs a panel of esteemed judges, consisting of industry professionals, to evaluate the submissions. Please understand that due to industry demands and schedules, the composition of our judging panel may evolve throughout the contest and evaluation process. B!tchFest Film Festival and Screenplay Contest reserves the right to add, change, or remove any members of the judging panel at anytime, while still ensuring the contest’s high-quality evaluation standards are consistently upheld.
By entering this contest, you authorize us to use any trusted third-party, online and cloud-based services and databases for hosting, organizing, tracking, managing, reviewing, and/or transmitting your submission file(s). B!tchFest Film Festival and Screenplay Contest cannot be held liable or financially responsible for any breaches in security with third-party, online and cloud-based services and databases used for managing this festival and its submissions, including but in no means limited to BitchfestLA.com and FilmFreeway services. By submitting to our festival, you are authorizing us to handle your film and/or screenplay using secure third party softwares.
Official Selections and Winners are responsible for their own personal travel and accommodation expenses to attend the festival. Award Winners will receive two complimentary tickets to the festival. All other cast and crew members must purchase event tickets in order to attend.
If a film or screenplay category winner does not respond to their status notification with requested materials and/or confirmation of participation by the requested response date, B!tchFest reserves the right to award a category finalist or runner-up in the winners place. We will still screen projects from submitters who are not able to attend the festival in person, but screeners must be delivered by the requested date in order to participate.
o Categories: Feature, Short, Music Video, TV Pilot Screenplay
Women’s Comedy Film Festival in Atlanta
The Women's Comedy Film Festival in Atlanta is a theatrical screening event in Atlanta for independent films featuring female filmmakers, actors, directors, writers and producers from all over the world. This is an amazing opportunity to showcase the talent of female directors, writers, actors, and everything in between right here in one of the world's fastest growing film communities. The Women's Comedy Film Festival also recognizes exceptional filmmaking and screenwriting with awards and nominations by our judging panel. Submit your film if you meet AT LEAST ONE of the following requirements:
o When/Where: March 15, 2025
o Deadline: April 30 (April Early Deadline), May 31 (Spring Early Deadline), July 31 (Summer Early Deadline), August 31 (Labor Day Deadline), September 30 (Fall Early Deadline), November 30 (Regular Deadline), December 31 (Late Deadline), January 31 (Final Deadline)
o Application Fee: $22.50-$50
o Eligibility: Script writers, in addition to submitting your script to the festival we also provide optional script coverage. Script coverage with our festival includes the price of your submission fee. Your work will be analyzed by a Cinema Life filmmaker who's produced award-winning films, has extensive writing experience, and also understands the indie way of filmmaking.
o Categories: Feature, Animated, Documentary, Comedy Short
Onscreen
'After Divorce...'
Casting "After Divorce...." Synopsis: Divorced for years, career-driven Elaine has raised her daughter on her own. Her life is comfortable, yet emotionally barren. Everything changes when Jace, her daughter’s twenty-year-old classmate, publicly confesses his feelings for her. Caught between social judgment and Jace’s genuine affection, Elaine’s resistance slowly begins to crumble. As he sees through the walls she’s built to hide her longing, the cracks in her carefully guarded heart finally begin to show…
o Roles: Various
o Details: Shoots for eight days between Dec. 5-17 in Los Angeles, CA.
o Rate: $125-600 (est. 8 of work)
Offscreen
LA Independent Women in Film Awards
LA Independent Women Film Awards focuses on international and U.S. film and script projects of all genres. Every season, the IMDb qualifying fest recognizes projects with a female producer, director, lead actress, writer, cinematographer, editor, composer, etc. All topics related to women's thoughts, women's fate, life conditions, women's views and so on are welcome to participate. All the winners will be promoted through various online magazines in California and can request to receive certificates and laurels. All the winners can request for screening through our festival. Our mission is designed to help create a platform for our filmmakers to be seen, but more importantly, get them the industry exposure to help sustain their craft for many years to come.The members of our jury will be award winning artists working in media from all over the world. All the award winners can request to be a jury member of a new edition of the festival in order to vote for one of the categories. LA Independent Women Film Awards is an outstanding event for promoting female artists working in media from all over the world.
o When/Where: February 11
o Deadline: December 4 (Regular Deadline), January 15 (Final Deadline)
o Application Fee: $30-$60
Assistant Professor, Film, Stonybrook University
Lichtenstein Center/Department of Creative Writing, Film & Television at Stony Brook University seeks to hire an innovative tenure-track Assistant Professor of Film, with specializations in screenwriting, directing, or producing/physical production. Candidates must be passionate about independent filmmaking. They should have a strong record of one or two of the following: screenwriting and TV writing, directing, or producing; at least one produced feature film or optioned screenplay or pilot. They should hold an M.F.A. in Film or Video or the equivalent, such as a B.A. with an exceptionally strong record of produced films or pilots, or a PhD with produced films or pilots. They should have evidence of successful teaching. Candidates will be expected to maintain an active professional practice, engage with the industry, and stay current with the world of independent film and television production. This position carries a 2/2 teaching load as well as graduate and undergraduate thesis direction on two of three campuses, located within two hours’ commute of each other (Manhattan & Stony Brook). Film is an independent, entrepreneurial, innovative, team-based core program within a department that also offers an M.F.A.and B.F.A. in Creative Writing. Our educational partner is Killer Films, the independent film production company. Early career, microbudget, filmmakers of color, LGBTQ+, as well as other diverse voices are strongly encouraged to apply. The deadline is December 1, 2025. The term of appointment is expected to begin September 1, 2026. If you have questions, please direct them to the search chair, Magdalene Brandeis, magdalene.brandeis@stonybrook.edu
o Requirements: Candidates must have one produced feature film and/or pilot, evidence of successful teaching, and an M.F.A. (foreign equivalent or higher) in Film or Video or the equivalent, such as a B.A. (foreign equivalent or higher) with an exceptionally strong record of produced films or pilots, or a PhD (or foreign equivalent) with produced films or pilots.
Welcome to the New York Metropolitan Screenwriting Competition & Film Awards
We love New York and we love film! We especially loves films shot, set, about, or written and produced and starring New Yorkers! And by New Yorker, we mean New Yorkers from the State, the City, and around the world. Even New Yorkers who haven’t made it here yet. We love you all. (And no, you don’t have to be here or be from here to submit your work). We want to inspire New York’s next generation of great writers and filmmakers. We care deeply about nurturing, developing, and furthering the careers of the next generation of New York filmmakers and screenwriters from the U.S. and around the world. Our team is passionate about discovering new talent. Our greatest joy is in finding and recognizing talented artists first. We want our festival to inspire up and coming artists who are passionate about film. We are especially passionate about supporting artists in the ‘Mecca’ we call home. We love so many of the great films set in New York and made by New Yorkers. As such we love all kinds of genres of film from studio blockbusters to little indies. No two paths are ever the same and no two stories are either.
o When/Where: August 30
o Deadline: October 16 (Regular Deadline), November 13 (Ext. Regular Award), December 11 (Standard), January 15 (Ext. Standard Deadline), February 12 (Late Deadline), March 12 (Extended Late), April 16 (Final Deadline), May 14 (Extended Late)
o Application Fee: $49-65
o Eligibility: We accept projects from all over the world not just the US and from writers of all shapes and sizes, ethnicities, sexes and sexual orientations.
o Categories: Screenplay, Awards
New York International Screenplay Awards
New York International Screenplay Awards is an international screenplay competition for screenwriters who aspire to connect with the US industry workers and explore the US markets. NYISA winners will be connected to the US film industry by the valued Sponsors; InkTip, Script Mailer, R2W2 talent & project accelerator/ consulting, Script Reader Pro, Screenwriting Software Final Draft!, And much more!
o When/Where: May 7
o Deadline: July 7 (Early Bird Deadline), November 24 (Regular Deadline), February 9 (Late Deadline), April 13 (Extended Deadline)
o Application Fee: $18-$60
o Eligibility: All scripts must be submitted in English, formatted in 12-point courier font.
Entry fees must be paid in U.S. dollars. Entry in the competition is void where prohibited by law.
Screenplays written by up to four people may be entered in the contest. Only one entry fee is required for such entries. All writers' names should be listed on the online entry. All writers must authorize the submission of the entry. If a screenplay is written by multiple authors, prizes will be divided at the writers' discretion.
All entries must be uploaded in PDF format. (www.freepdfconcert.com)
Entrants to the NYISA retain all rights to their screenplays.
Entries must be received by the applicable Entry Deadline.
Once a script has been entered into the competition, we will not accept substitutions or revised drafts. If you wish to submit a revised draft of your script, you must enter it as a new submission.
NYISA will not share your screenplay with anyone except the official judges of the competition.
By entering the NYISA, you represent that your entry is your original work, and does not infringe on the copyright or other rights of other people.
Entry fees are non-refundable.
We do not accept hardcopy submissions by mail.
Submissions must be the original work of the applicant. Entries may be adapted from the applicant's own work.
The decisions of the judges are final.
NYISA reserves the right to make any necessary changes, postponements, or cancellations to event scheduling at our discretion.
Notification of winners and official finalists will be sent by email and posted on our website. It is the responsibility of the winners to redeem any prizes allotted to them by the NYISA or our sponsors. Applicants will be responsible for providing current contact information and mailing addresses for prize redemption purposes.
Feature screenplays must be between 41 and 150 pages in length.
Short screenplays must be between 1 and 40 pages in length. Please email us if you have a longer screenplay that you would like to submit.There is no limit to the number of screenplays you may submit.
Under absolutely no circumstances will substitutions of either corrected pages or new drafts of the entry screenplay(s) be made. Screenplays will not be returned.
Screenplay titles cannot be changed upon resubmission under any circumstances.
o Categories: Feature, Short, TV Pilot
Swordfish Productions Pictures
Swordfish Productions Pictures is interviewing for the following Crew positions for an $80,000 Live-Action Short in New York.
o Roles: DP/Lighting, Picture Editor/Color, Sound Recorder/Mixer/Editor, Script Sup/Production Designer, 1stAD, Wardrobe/Hair/Makeup, Crafty, 2 PAs.
o Submission Guidelines: Please email 1-2 page Current Resume with 2 Biz Refs all contact info to SPECIALFILM@gmail.com.
Torch Literary Arts
Torch Literary Arts welcomes submissions of original creative work by Black women writers. We are interested in work that challenges and disrupts preconceived notions of what contemporary writing by Black women should be. Your stories and poems are valuable and necessary. Write freely and submit what you are excited to share with the world. Submissions are accepted for Friday Features only. We accept submissions on a rolling basis. Simultaneous submissions to other journals are welcome as long as they are identified as such and we are notified immediately upon acceptance elsewhere.
o Deadline: Rolling Basis
o Application Fee: No Fee
o Eligibility: Include a one (1) page cover letter noting the title(s) of the work(s) submitted.
Upload your text submission as a Word (DOC, DOCX) or portable document format/PDF (PDF).
Typed, double-spaced (poetry may be single-spaced) pages.
Numbered pages.
Margins should be set at no less than 1” and no greater than 1.5”.
Poetry: submit up to five (5) poems totaling no more than eight (8) pages.
Fiction, Hybrid genre: 12-point font. No more than ten (10) pages or 2500 words (whichever is achieved first). Excerpts of longer works are welcome if self-contained.
Drama/Screenwriting: submit one act or a collection of short scenes no longer than ten (10) pages. Excerpts of longer works are welcome if self-contained. Indicate if a performance video or dramatic audio reading will be available with the text submission if selected.
Restrictions: We do not reprint previously published work for TORCH Friday Features.
o Categories: Scripts
A24
Based in NY and LA, A24 is the Academy Award-winning film and TV studio behind feature films such as Minari, Midsommar, Moonlight, Ex Machina, Uncut Gems, and this summer’s Zola and The Green Knight. A24 TV productions include the Emmy-winning series Euphoria for HBO starring Zendaya, Hulu series Ramy from Golden Globe-winner Ramy Youssef, the eponymous variety series from viral comedy sensation Ziwe for Showtime, the forthcoming Joseph Gordon-Levitt Apple series Mr. Corman, and the Netflix anthology series Beef starring Oscar nominee Steven Yeun and Ali Wong.
o Seeking: Various Roles
o Location: Los Angeles, CA & New York, NY
o Website: https://a24films.com/jobs
The Kate Spade New York Foundation
o To honor Kate Spade’s legacy of empowering and inspiring women and girls, the National Council for Behavioral Health is excited to provide complimentary Mental Health First Aid training to communities throughout the five boroughs of New York City and New Jersey and in partnership with organizations that specifically support these populations.
What is Mental Health First Aid?
Just as CPR helps you assist an individual having a heart attack, Mental Health First Aid helps you assist someone experiencing a mental health or substance use-related crisis. In the Mental Health First Aid course, you learn risk factors and warning signs for mental health and addiction concerns, strategies for how to help someone in both crisis and non-crisis situations, and where to turn for help.
The National Council for Behavioral Health shares Kate Spade New York Foundation’s belief in “the power of women to transform their communities” through empowerment. In support of this mission, we are offering through a competitive application process, select Mental Health First Aid and Youth Mental Health First Aid training, fully funded!
o Location: New York, NY
o Website
Funding
American Documentary and Animation Film Festival and Film Fund
The American Documentary and Animation Film Festival and Film Fund (AmDocs) is one of the largest Docs and Animation festivals in the United States, located near the media capital of Hollywood in beautiful Palm Springs. This unique event focuses on international films in both the short and feature categories as well as showcasing animation. Recipients of the festival’s qualifying awards will be eligible for consideration in the Documentary Short Film category of the Academy Awards® without the standard theatrical run, provided the film otherwise complies with the Academy rules. In conjunction with the festival is the American Documentary Film Fund where U.S. filmmakers compete for start-up or finishing funds in order to complete their film masterpieces. Typically, the festival program proudly consists of 90% from film submissions. AmDocs, seeing the bigger picture.
o Deadline: December 14 (Late Deadline), January 11 (Extended Deadline)
o Application Fee: $37.50-70
o Eligibility: The festival is open to all categories within the documentary and animation film genres. The film should not be more than 3 years old, though in certain circumstances, a retrospective may be screened and/or a "hidden gem" never seen before by the public.
Sloan Distribution Grant
The Sloan Distribution Grant is a $50,000 grant awarded by Film Independent to a film that is entering its distribution phase. Eligible films must depict themes, stories and ase.
o Contact: artistdevelopment@filmindependent.org
Panavision New Filmmaker Program
Panavision believes in helping students and beginning filmmakers achieve their dreams. More than 25 years ago, Panavision launched the New Filmmaker Program, an ongoing grant program that loans camera packages to film schools, training programs, and independent filmmakers – at little or no charge. Panavision’s commitment to the industry's future provides student and beginning filmmakers the opportunity to work with professional grade equipment early in their careers.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Submit your proposals at least two months before you plan to shoot. Due to the high demand for Panavision cameras and equipment, it is essential that you plan ahead and contact us early.
Proposal materials will not be returned.
The New Filmmaker Program does not discriminate as to the nature of the project that can receive equipment grants. Any form, from experimental to documentary to musical to traditional narrative, is welcome.
Camera grants are available only for productions in the United States. Customs laws make transportation of cameras out of the US prohibitive. No exceptions.
The New Filmmaker Program will not allow cameras to be used on projects that perpetuate racial or sexual stereotypes and prejudices. Pornography is absolutely unacceptable.
Grant recipients must obtain insurance from an outside insurance agent. Students can generally have the school issue the necessary policies. Plan ahead! This can take several weeks to implement. The process varies from school to school, so check with your film department. Productcharacters grounded in real science, technology or economics.
o Contact: nfp@panavision.com
Catapult Film Fund
Catapult Film Fund provides development funding to documentary filmmakers who have a compelling story to tell, have secured access to their story, and are ready to shoot and edit a piece for production fundraising purposes. Our mission is to enable filmmakers to develop their films to the next level at a moment where funding is hard to find.
o Deadline: Rolling
o Application Fee: Free
o Eligibility: Applicants must be 18 years of age or older. Catapult does not fund student films.
Documentaries must be 28 minutes or longer in length. We do not fund series.
Animation is okay. Documentary/narrative hybrids will be considered on a case-by-case basis.
Development funds must specifically be used for the process of completing a fundraising piece, which may include writing, shooting and editing once story and characters are in place.
Applicants must own the copyright of their production, and have artistic, budgetary and editorial control over their project.
Applicants should preferably have previous film or television production experience in a principal role (director, co-director, producer, co-producer) as demonstrated by submitting a previously completed work sample.
Applicants who have not yet produced or directed their own feature length documentary should demonstrate that they will be working with an experienced filmmaker in a principal role.
Catapult only makes grants to 501(c)(3) organizations. In most cases, this will mean getting a 501(c)(3) fiscal sponsor for the project. A film production company or individual, including applicants from outside the US, may submit an application without a fiscal sponsor in place. Please see the FAQ section for more details.
o Contact: info@catapultfilmfund.org
Residencies
18th Street Arts Center
18th Street Arts Center values art making as an essential component of a vibrant, just, and healthy society. Its mission is “to provoke public dialogue through contemporary art making.” Founded in 1988, 18th Street Arts Center has fostered and supported the work of many of Los Angeles’ most engaging artists, and has built bridges to artist communities around the globe.
o Deadline: Ongoing
o Application Fee: Yes
o When: Ongoing
o Eligibility: The Visiting Artist Residency Program accepts applications from working, professional artists who demonstrate a deep commitment to their practices. The program is open to artists of all generations, nationalities, and disciplines. Applicants are required to cover studio rental costs themselves. Although we primarily support visual artists, 18th Street Arts Center will consider applications from performing artists, writers, and filmmakers as well.
o Address: 1639 18th Street, Santa Monica, CA 90404
o Contact: 310-453-3711
Other Resources
NOTE: For more resources, visit our pages of Resources - Funding, Submissions, and more.
NYFA SOURCE - The New York Foundation for the Arts maintains the most comprehensive national directory of awards, services and publications for artists in the NYFA Source section of their website.
FILM FREEWAY - Film/Video artists can check Film Freeway at: