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SDC Foundation: Free Program Streamed Online 12/15/14 with Lisa Peterson


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SDC - Stage Directors and Choreographers Society
Please join us on Monday, December 15!  

Director as Creator

SDC Member Lisa Peterson talks about a Director's impulse in creating
new work with An Iliad and The Good Book.
For any Director or Choreographer interested in an authorial approach.
Moderated by Megan Carter, Director, SDCF.

If you cannot attend in person, we will be presenting this DCN via live-stream.
Follow this link to SDCF's UStream Channel: http://www.ustream.tv/channel/sdc-foundation.

Lisa Peterson: Lisa has done extensive work on new plays and classics in theaters across the country. In New York, her work has been seen at NYTW, The Vineyard, Public Theater, Manhattan Theatre Club, Primary Stages, MCC, Women's Project, Ma-Yi Theater, Playwrights Horizons and the Young Playwrights Festival. Regionally, she has worked at Mark Taper Forum (where she was Resident Director for ten years), La Jolla Playhouse (where she was Associate Director for three years), Berkeley Rep, Intiman, California Shakespeare Theater, Oregon Shakespeare Theater, Guthrie, Actors Theatre of Louisville, Dallas Theater Center, Baltimore Center Stage, Arena Stage, McCarter, Hartford Stage, Yale Rep, Long Wharf, and Huntington Theatre. She has developed plays at New Dramatists, Playwrights' Center, O'Neill Playwrights Conference, and Sundance Theater Lab. Lisa is the recipient of an Obie Award, numerous Drama-Logue Awards, a Callaway nomination, a Drama Desk nomination, and an NEA/TCG grant. She is a graduate of Yale College and a member of Ensemble Studio Theatre.

When: Monday, December 15, 4:30pm
Where: SDCF/SDC 1501 Broadway, Suite 1701
RSVP: DCN@SDCFoundation.org by December 11

DCN discussions are free and open to all.  To reserve a spot, please RSVP to DCN@SDCFoundation.org
The 2014/2015 SDCF Programs are made possible by the National Endowment for the Arts,
the New York State Council on the Arts with the support of Governor Andrew Cuomo
and the New York State Legislature , Stage Directors and Choreographers Society
and many generous corporations and individuals. 
SDC Foundation
1501 Broadway | Suite 1701 | New York NY 10036 | PH: 212.391.1070 | F:212.302.6195 | SDCweb.org


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SDCF July Opportunities Bulletin



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SDC - Stage Directors and Choreographers Society
OPPORTUNITIES - July 2014
Detailed information for all of our programs can be found at www.sdcfoundation.org 
Like us on Facebook or follow us on Twitter for more updates!
Dates and Deadlines (see details below):
06/30 Eastern U.S.: Zelda Fichandler Award Nomination deadline
07/03 National: Reginald Denham Fellowship Application and Guidelines available online
07/03 National: Gielgud Fellowship posting (approximate date)
07/04 National: SDCF closed for Independence Day
07/07 Eastern U.S.: Zelda Fichandler Award nominees notified
07/07 National: Gielgud Fellowship nominations open (approximate date)
07/08 New York: Observership Applicant Open House (time TBA)
07/08 New York: Observership deadline - Josh Bergasse choreographing On the Town (approximate date)
07/10 National: Guest Artist Initiative Program deadline to apply for Southern Illnois University
07/10 National: Notification of Observership status for early applicants (those who applied by 06/01)
07/28 National: Gielgud Fellowship Nominations deadline (approximate date)
07/31 National: Observership Final Application deadline (postmark or hand-delivery date)
07/31 National: Reginald Denham Fellowship Application deadline


See opportunity details below. For further questions after reading details, please email Foundation@SDCweb.org

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THE ZELDA FICHANDLER AWARD
With this award, SDCF recognizes the profound impact and honors the legacy of the founders of regional theatre and celebrates the creativity and artistry of theatre around the country. Named after Zelda Fichandler, a founder of the American regional theatre movement, the award celebrates significant achievement in the field, singular creativity and artistry, and a deep investment in a particular region. This award is not for lifetime achievement; the intent is to honor an artist for both accomplishment to date and promise for the future.  This award presents an unrestricted grant of $5,000 to an outstanding director or choreographer making an exceptional contribution to the national arts landscape through theatre work in a region. For more information, visit Zelda Fichandler Award at SDCFoundation.org.  Nominations are accepted from May through June 30.

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DENHAM FELLOWSHIP
In October of 2006, Mary Orr Denham established the Denham Fellowship through a bequest to SDCF in honor of her late husband, Reginald H.F. Denham. The Denham Fellowship is "an annual award to aspiring young directors, and particularly women directors, to further develop their directing skills". Candidates may apply to the Denham Fellowship under one of two criteria: fee enhancement and self producing. The Denham Fellowship under fee enhancement would serve to augment a fee offered to the Director by a theatre or producer. When the recipient is a self-producing director, the Denham fellowship will serve to cover/augment the Director's fee. Application to the Denham Fellowship is open to SDC Members and Associates only.

For information on Fellowships, visit Fellowships at SDCFoundation.org.
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OBSERVERSHIP PROGRAM
Through this program, we offer 25 grants to shadow master directors and choreographers mounting new productions across the country.  SDCF provides each Observer with a weekly stipend ($200 in 2013/2014, $225 in 2014/2015) plus a project travel stipend. Only those who have applied for this program are eligible to apply for these opportunities, and only these applicants receive full details.  Applications for this year are now available online.  The final deadline for applications is July 31, 2014. For more information, visit http://sdcfoundation.org/opportunities/observerships/

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GUEST ARTIST INITIATIVE
The Guest Artist Initiative Program enables SDCF to facilitate and fund the hiring of professional SDC Directors and Choreographers to helm theatre productions at universities and colleges across the country. An SDCF panel comprised of professional directors and choreographers and college educators select productions for the award. Two proposals receive funding and facilitation services, and several more are offered free facilitation services. The schools are solely responsible for selecting the Guest Artist among SDC Members applicants (limited to Full SDC Members only).
Please do not contact us at this time for information on applying for these opportunities. That information has already been sent to SDC Full Members.
Application for this year's funding is closed.  Please contact us at SDCFPrograms@SDCweb.org if you are from a college that would like information on our free search facilitation services. 

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To contribute online to SDCF, please click here.
SDCF Programming in 2013-2014 is made possible in part by
the National Endowment for the Arts, the New York State Council on the Arts with
the support of Governor Andrew Cuomo and the New York State Legislature, by public funds
from the New York City Department of Cultural Affairs in partnership with the City Council, The Kurt Weill Foundation for Music, Stage Directors and Choreographers Society
and many generous corporations and individuals.
SDC Foundation
1501 Broadway | Suite 1701 | New York NY 10036 | PH: 212.391.1070 | F:212.302.6195 | SDCweb.org


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SDC: Apply by May 30 for SDCF Observerships



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Please share this information with those who may benefit from this program!
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SDC - Stage Directors and Choreographers Society

REMINDER: APPLY BY MAY 30

NOW ACCEPTING APPLICATIONS FOR
THE 2014-2015 OBSERVERSHIP PROGRAM  
APPLICATION AVAILABLE ONLINE AT SDCFOUNDATION.ORG
Apply by May 30, 2014 to be eligible for all 25 PAID opportunities  
The Stage Directors and Choreographers Foundation (SDCF) Observership Program grants emerging Directors and Choreographers 25 paid opportunities to observe the work of master Directors and Choreographers as they create productions on Broadway, Off-Broadway and at leading regional theatres across the country.  SDCF Observers have access to the entire rehearsal process, from first rehearsal through previews to opening night.  Observers are guaranteed the invaluable opportunity to observe, first-hand, the techniques, disciplines, approaches and insights of master artists as they create new productions and revive classics.  
Observerships are selected by committee; master artists in 2013-2014 included Walter Bobbie, Joe Calarco, Martha Clarke, Marcia Milgrom Dodge, Matthew Gardiner, Peter Flynn, Michael Kahn, Kathleen Marshall, Davis McCallum, Ethan McSweeny, Lonny Price, Erica Schmidt, Scott Schwartz, Dominique Serrand, Max Stafford-Clark, Susan Stroman, Liesl Tommy, Moritz von Stuelpnagel, Stephen Wadsworth, Patricia Wilcox, Michael Wilson, and Chay Yew.
While we do not yet know our opportunities for 2014 – 2015, to give context of the opportunities offered through this program, recent Observerships include:
  • Commercial Broadway productions of Bullets Over Broadway and Big Fish directed and choreographed by Susan Stroman
  • Atlantic Theater Company’s Off-Broadway production of The Threepenny Opera directed and choreographed by Martha Clarke.
  • MCC’s Off-Broadway production of Hand to God directed by Moritz von Stuelpnagel.
  • Signature Theatre’s Off-Broadway production of Appropriate directed by Liesl Tommy.
  • South Coast Repertory’s production of Tartuffe directed by Dominique Serrand.
  • Shakespeare Theatre’s production of Henry IV parts 1 and 2 directed by Artistic Director Michael Kahn.
  • Maltz Jupiter Theatre’s production of The King and I directed and choreographed by Marcia Milgrom Dodge.
  • Victory Gardens Theater’s production of The Gospel of Lovingkindness directed by Artistic Director Chay Yew.
 
Each Observer receives a grant of at least $225 per week plus a project travel stipend.  In addition, any Observer who is not already a Member of SDC will be awarded a free one-year SDC Associate Membership.
Application to this year's program is free to SDC Members and Associates.  A $25 application fee is required to apply for those unaffiliated with SDC, which is waived for those in financial hardship (no proof required). 
To apply, visit http://www.sdcfoundation.org for program information, application, and guidelines. Applicants are strongly encouraged to apply by May 30 as opportunities are expected to be available prior to that date, though applications will be accepted through July 31.  Those who apply by May 30 if accepted will be eligible for summer Observerships, while those who apply from June 1 – July 31 will be eligible, if accepted, for the remaining Observerships after September.
 All applicants will be invited to SDCF Programs and special SDC events throughout the year, all of which are free of charge or very low cost.
After reviewing guidelines and FAQ’s online, please email Opportunities@SDCweb.org or call 646.524.2226 with any questions.  

SDCF Programming in 2013-2014 is made possible in part by
the National Endowment for the Arts, the New York State Council on the Arts with
the support of Governor Andrew Cuomo and the New York State Legislature, by public funds
from the New York City Department of Cultural Affairs in partnership with the City Council, The Kurt Weill Foundation for Music, Stage Directors and Choreographers Society
and many generous corporations and individuals.
SDC Foundation
1501 Broadway | Suite 1701 | New York NY 10036 | PH: 212.391.1070 | F:212.302.6195 | SDCweb.org

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Lincoln Center Theater Directors Lab

The LCT Directors Lab is a developmental program for nurturing stage directors from around the country and around the world. It is a series of workshops, readings, rehearsals, investigations, roundtable discussions, and studio productions to provide young directors with an intensive study of their craft while fostering collaborative relationships among a peer community of artists. The Directors Lab is geared toward professional directors in early career stages and is free of charge. 

The 2014 Directors Lab will take place at Lincoln Center Theater from Monday, July 7th - Saturday, July 26th, 2014.

The application is ready and can be downloaded here. It is due on Monday Feb. 10, 2014 - either postmarked on Feb. 10th or brought to the theater. No letters of recommendation or other supporting material are required. We will notify all applicants on March 17th.

Please click here for detailed information on past Labs, a summary of the participants and the general theme and specific activities of each of the past 20 Labs.

The Lab is not open to students, or those planning to return to school. It is designed for emerging directors who are working professionals, who have finished their studies. And studies are not required - many Lab directors are working directors who have never gone to college.

Questions about the Directors Lab may be emailed to labassistant@lct.org.

Visit our sister Labs in Los AngelesChicago and Toronto.

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SDC Foundation Announces Callaway Award Finalists and Winners





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SDC - Stage Directors and Choreographers Society
Stage Directors and Choreographers Foundation
 Announces Joe A. Callaway Award Winners 

RUBEN SANTIAGO-HUDSON AND MARLO HUNTER

and Finalists
for 2012-2013 Theatre Season

Awards will be presented on Monday, October 28

The Stage Directors and Choreographers Foundation (SDCF) proudly reveals this season's Joe A. Callaway Award winners for Direction and Choreography from more than 200 eligible productions in the 2012 – 2013 New York City theatre season. 
This year's awards will be presented to Ruben Santiago-Hudson for his direction of The Piano Lesson produced by Signature Theatre and Marlo Hunter for her choreography of Unlock'd produced by Prospect Theater Company. 
The Callaway Award Selection Committee, comprised of current longstanding SDC Members, also selected finalists from more than 200 eligible productions considered this season. Finalists for the 2012 – 2013 Joe A. Callaway Award are:  
Directors –
Davis McCallum, The Whale produced by Playwrights Horizons
Ciarán O'Reilly, The Weir produced by The Irish Repertory Theatre
Lisa Rothe, Hold These Truths produced by Epic Theatre Ensemble
*Ruben Santiago-Hudson, The Piano Lesson produced by Signature Theatre
Kimberly Senior, Disgraced produced by LCT3/Lincoln Center Theater  
Choreographers –
Tracy Bersley, The Civil War produced by Theatreworks USA
Greg Graham, Finks produced by The Ensemble Studio Theatre
*Marlo Hunter, Unlock'd produced by Prospect Theater Company        
*Award Winners  
The 2012 - 2013 Joe A. Callaway Awards recognize excellence in the crafts of direction and choreography during the New York City theatre season from September 1, 2012, through August 31, 2013, and is the only award given by professional directors and choreographers to their peers for work on a specific production.  The production must take place within the five boroughs of New York City under an Actors' Equity Association contract other than the Showcase code and Broadway contract, and the artist must be a member of Stage Directors and Choreographers Society.  
Special thanks to our 2012-2013 Callaway Committee Members:  Leslie (Hoban) Blake,  Linda Burson (Chairperson), Jonathan Stuart Cerullo, Hope Clarke, Edie Cowan, John Going, Bruce Heath, Gus Kaikkonen, Sue Lawless, William G. Martin Jr., Barry McNabb, Michael Montel, and Tony Parise, who considered more than 200 eligible productions this season.  
About Joe A. Callaway:  Joe A. Callaway dedicated more than 50 years to the theatre as an actor, director, lecturer and critic. He was a founding member and director of San Diego's Old Globe Theatre, the first recipient of a Master's degree from the Goodman School of Theatre, an associate professor at Michigan State University, a noted radio and television reviewer, and an actor off-Broadway and in regional theatre. Since his death in 1991, his legacy lives on in awards he endowed for direction and choreography (through SDCF), for acting (through Actors' Equity Association), for playwriting (through Young Playwrights Inc.) and for theatre scholarships (through NYU). 
About SDCF's Joe A. Callaway Award: SDCF's Joe A. Callaway Award was first presented in 1989. Previous winners include Gabriel Barre, Andy Blankenbuehler, Carolyn Cantor, Martha Clarke, Graciela Daniele, Frank Galati, Christopher Gattelli, Gerald Gutierrez, Doug Hughes, Garry Hynes, Bill T. Jones, Thomas Kail, Moises Kaufman, Larry Keigwin, Joe Mantello, Trevor Nunn, Jack O'Brien, Ciarán O'Reilly, Harold Prince, Bartlett Sher, Susan Stroman, Daniel Sullivan and George C. Wolfe.
About SDCF:  Founded in 1965 by Members of the Stage Directors and Choreographers, SDCF is the nation's premier organization that exists to foster, train, support and promote the craft of theatre directors and choreographers. SDCF aims to provide opportunities to practice the crafts of direction and choreography; promote emerging talent; grant access to career paths for emerging artists and young professionals; gather and disseminate craft and career information; provide forums for exchange of knowledge; and increase the awareness of the value of Directors' and Choreographers' work.  
For more information on SDCF's Callaway Award, visit SDCF online at SDCweb.org.  
SDCF 2013/2014 programs are made possible in part by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council, Stage Directors and Choreographers Society, and many generous corporations and individuals.
SDC Foundation
1501 Broadway | Suite 1701 | New York NY 10036 | PH: 212.391.1070 | F:212.302.6195 | SDCweb.org


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SDC & SAG Foundations Live Streamed Event - Directors Working Across Theatre, Television, and Film

Stage Directors and Choreographers Foundation
in partnership with SAG Foundation LifeRaft and Los Angeles Stage Alliance

Invite you to attend

Directors Working across Theatre, Television and Film

Monday, October 7, 2013, 7pm
The SAG Foundation's LifeRaft program, in partnership with the Los Angeles Stage Alliance and Stage Directors and Choreographers Foundation, is thrilled to present this conversation in which directors will discuss their work in the fields of film, television and theatre, how they balance their work flow, and what they notice in actors who thrive in all three mediums.
Panelists will include Directors Paul Lazarus, Tom Moore and Oz Scott.  The panel will be moderated by Terrence McFarland, Executive Director of L.A. Stage Alliance.
SAG Foundation will be live streaming this event. The event can be viewed on their website at http://www.sagfoundation.org/livestream or at  http://youtube.com/sagfoundation.
About the panelists:
Paul Lazarus has directed over eighty plays and musicals (mostly new work) in such theaters as The Kennedy Center, Lincoln Center, Playwrights Horizons, Manhattan Theatre Club, Circle Rep, The Actors Studio, La MaMa ETC, Huntington Theater Company and The Goodspeed Opera House. He served as Artistic Director of the historic Pasadena Playhouse in California. Highlights include: receiving a Drama Desk nomination for the Off-Broadway musical Personals; the Lincoln Center Institute production of Antigone; serving as Associate Director for the celebrated concert version of Follies at Avery Fisher Hall and the world premieres of Camping with Henry and TomThe 24th DayLife ClassEpic Proportions andJohnny Pye and the Foolkiller. Since moving to Los Angeles, Mr. Lazarus has also been directing many prime time television series including “Samantha Who?,” “Ugly Betty,” the new “90210, ” “Friends,” “L.A. Law,” “Melrose Place” and “Everybody Loves Raymond.”
Tom Moore’s Broadway credits include ‘night, Mother, (Pulitzer Prize and Tony nomination); the original Grease (8 years), Over Here (Tony nomination); Once in a LifetimeDivision StreetMoon Over BuffaloOctette Bridge Club and Frankenstein. At the Mark Taper Forum/Ahmanson Theatre he directed The Royal FamilyDivision StreetA Month in the CountryHenceforward and A Flea in Her Ear. Credits at American Conservatory Theater include Three SistersLittle Foxes and Hotel Paradiso. At Williamstown Theatre Festival he directed Hay FeverMadwoman of Chaillot and Our Town. He has also worked at the Old Globe Theatre, La Jolla Playhouse, Santa Fe Stages, Guthrie Theatre, Arena Stage and American Repertory Theatre. His extensive television credits include “E.R.” (Emmy nomination), “L.A. Law” (Emmy nomination), “Mad About You” (Emmy nomination), “Huff,” “The Court,” “Cheers,” “Ally McBeal,” and “The Wonder Years” (Humanitas Prize) and the Disney musical Geppetto. He also directed the film of ‘night, Mother.
Oz Scott (Secretary) is an award-winning television, theatrical and motion picture director whose credits span hundreds of television episodes and dozens of feature films, stage productions and made-for-TV movies. Oz’s directorial talents have contributed to the success of award-winning shows such as “The Cosby Show,” “The Jeffersons,” “Hill Street Blues, ” “Fame,” and “Northern Exposure.” His theater directorial credits include The Ballad of Emmett Till at the Goodman Theatre and Resurrection, which he staged at Arena Stage in Washington, DC, at Hartford Stage and again for Philadelphia Theatre Company. Oz has been nominated for a DGA award, and he has been the recipient of an NAACP Image Award, the Drama Desk Award, a Village Voice OBIE Awards for Off Broadway, a Genesis Award, and the Nancy Susan Reynolds Award. He has served on the Board of Directors for the Charles R. Drew University of Medicine and Science in LA, and on the Dean’s Council for California State University at Northridge’s (CSUN) College of Arts, Media and Communication.

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SDC Opportunities - September 2013

SDC - Stage Directors and Choreographers Society
 OPPORTUNITIES -  September 2013

Please note:  Applications and guidelines for all programs are available at www.sdcweb.org (look under Foundation)
Dates and Deadlines (see details below):
09/02 National: George C. Wolfe Fellowship application deadline
09/04 New York: Observership with Erica Schmidt application deadline
09/09 Florida: Observership with Marcia Milgrom Dodge application deadline (not posted yet) 
09/12 National: SDCF Masters of the Stage - Discovering Talent and New Work posting date
09/16 National: Reginald Denham Fellow selected
09/16 New York: DCN: Topic TBD
09/23 National: Zelda Fichandler Award submission materials due
09/26 National: SDCF Masters of the Stage - Directing and Choreographing New Musicals posting date
09/24 New York: Broadway Salutes
09/30 National: George C. Wolfe Fellow selected

Upcoming:
10/01 Kentucky: Guest director selected for University of Lousville
10/03 National: Directing with Technology and Multimedia
11/04 Ohio: Presentation of the Zelda Fichandler Award at Cincinnati Playhouse

Outside Opportunities:
Immediate Oregon: Oregon Shakespeare Festival Fellowships available
09/06 National: USArtists International application deadline
10/15 Pennsylvania: Penn State Musical Theatre faculty position application deadline 
 10/15 Vermont: University of Vermont Theatre faculty position application review begins

See opportunity details below.  For further questions after reading details, please email Foundation@SDCweb.org.




GEORGE C. WOLFE FELLOWSHIP
The new George C. Wolfe Fellowship will be awarded to a talented director or choreographer with significant accomplishment to date and vast potential for the future. Financial support will be provided to artists who harbor a deep desire to expand their capacity for and access to new ways of working. 

For further details on applying and eligibility, please see George C. Wolfe Fellowship Guidelines and Application at SDCweb.org.


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OBSERVERSHIP PROGRAM
Through this program, we offer 25 grants to shadow master directors and choreographers mounting new productions across the country.  SDCF provides each Observer with a weekly stipend of $200 plus a small project travel stipend. Only those who have applied for this program - are eligible to apply for these opportunities and only they receive full details.  Applications for this year are now closed.  Application for projects beginning July 1, 2014 will be available online in April, 2014.
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SDCF MASTERS OF THE STAGE: DISCOVERING TALENT AND NEW WORK
At its 2013 Emerging Artist Symposium on Musicals, Robyn Goodman, Commercial Producer and Founder of Second Stage Theatre, spoke with SDCF Producing Director Ellen Rusconi about discovering talent and developing new work in today's dynamic theatre climate. Goodman infuses her perspective as an actor turned producer with a well-rounded view of production from page to stage and everything in between. Listen as she offers insight on keeping up with trending audience interest and younger sensibilities, procuring a strong design team, giving a memorable interview, and recognizing commercial viability in unexpected places.
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DENHAM FELLOWSHIP
In October of 2006, Mary Orr Denham established the Denham Fellowship through a bequest to SDCF in honor of her late husband, Reginald H.F. Denham. The Denham Fellowship is “an annual award to aspiring young directors, and particularly women directors, to further develop their directing skills”. 
Applicationsfor this Fellowship were accepted through July 31, 2013, and application is now closed. For further information on SDCF Fellowships, visit SDCF Programs for Emerging Artists  (scroll to Fellowships).

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DCN
Produced in association with SDC, DCN's are typically held one Monday of each month at SDC, 1501 Broadway, Suite 1701, and focus on exploring a topic of interest to directors and choreographers with invited distinguished guests. Attendance is free and open to the public.

For information on this program, visit SDCF Conversations and Events.
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ZELDA FICHANDLER AWARD
With this award, SDCF recognizes the profound impact and honors the legacy of the foundaers of regional theatre and celebrates the creativity and artistry of theatre around the country. Named after Zelda Fichandler, a founder of the American regional theatre movement, the award celebrates significant achievement in the field, singular creativity and artistry, and a deep investment in a particular region. This award is not for lifetime achievement; the intent is to honor an artist for both accomplishment to date and promise for the future.  This award presents an unrestricted grant of $5,000 to an outstanding director or choreographer making an exceptional contribution to the national arts landscape through theatre work in a region. This year, the award will honor achievement in the Central region.    
For more information, visit Zelda Fichandler Award at SDCweb.org.  Please direct any questions to Ellen Rusconi at SDCFPrograms@SDCweb.org.

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SDCF MASTERS OF THE STAGE: DIRECTING AND CHOREOGRAPHING NEW MUSICALS
At its 2013 Emerging Artist Symposium on Musicals, SDCF hosted Tony-nominated Dan Knechtges (Lysistrata Jones, Xanadu, Spelling Bee) in conversation with Producing Director, Ellen Rusconi, on his experiences directing and choreographing new musicals. From his theatre experiences while growing up in Cleveland to his transition from performer to director/choreogrpaher, this discussion-peppered with a dash of humor, sentiment, and survival jobs- examines Dan's process of learning to create musical theatre and launching a career. The conversation explores key tactics when working with stage managers and writers, time management when developing a new work, and elevating taste in the most unlikely yet scrumptious ways.
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BROADWAY SALUTES  

The fifth annual Broadway Salutes, a free public event celebrating the dedication and tenure of individuals in the Broadway community, takes place on Tuesday, September 24, beginning at 3:30pm in the Times Square Visitors Center on 7th Avenue between 46th and 47th Streets. The event will recognize the myriad of artists, technicians, and craftspeople who have made Broadway great for decades and will give special recognition to those individuals working today who have worked 25, 35, and 50 years in their respective theatrical craft - including stagehands, wardrobe workers, hair and makeup artists, theater owners, actors, producers, playwrights, casting directors, general managers, publicists, ushers, designers, musicians, directors, choreographers, and more.  Broadway Salutes is presented by The Broadway League and The Coalition of Broadway Unions and Guilds (COBUG) and administered in part by SDCF and SDC.  To reserve your spot, please email rsvp@broadwaysalutes.org.
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SDCF MASTERS OF THE STAGE: DIRECTING WITH TECHNOLOGY AND MULTIMEDIA
At its 2013 Symposium on Plays, Marianne Weems and Erica Laird of The Builders Association spoke with SDCF Producing Director Ellen Rusconi about the process of creating theatre with heavy use of multi-media elements. Listen as they share the intricacies involved in rehearsing and maintaining a piece when working with both human and non-human counterparts and how to fuse the two symbiotically to create a piece of holistic, organic art. These innovative theatre artists speak to a director's responsibility when employing these mediums and identify the financial and professional requirements of mounting and sustaining this visionary artform.
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OUTSIDE OPPORTUNITIES:
OREGON SHAKESPEARE FESTIVAL offers paid professional development opportunities beginning in October for a Director, a Lighting Designer and Scenic Designer, with complimentary housing, round trip airfare, and stipend ($6000 Director, $5000 Designers) awarded to recipients. .  Directors: This is a four-month Fellowship. Candidates must have directed a minimum of three (3) Equity productions. Designers: This is a four-month Fellowship. Candidates must have designed at least three (3) non-academic productions and/or live events. Equivalent work in film, television and/or other relevant industry may also be considered. Candidates must be able to commit full time to the position.  There are no age requirements and/or academic requirements for any of the above opportunities. 
Please contact Sharifa Johka, FAIR Experience Manager at OSF, with further questions including extended deadline date  at 541.482.2111 ext. 203 or sharifaj@osfashland.org.  More information about OSF and the FAIR program can be found at osfashland.org/FAIR.

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USARTISTS INTERNATIONAL provides support for American dance, music, and theater ensembles and solo artists invited to perform at significant international festivals anywhere in the world outside the United States and its territories.  The application deadline for the first of three grant rounds of the  2014 program is September 6, 2013 for projects between November 1, 2013 and October 31, 2014. For more information, visit midatlanticarts.org.  Direct questions to Brigid Zuknick, brigid@midatlanticarts.org.

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PENN STATE MUSICAL THEATRE PROGRAM seeks a dance faulty member with expertise in musical theatre dance repertoire to serve as Head of Dance for Musical Theatre. Dance curricula in the School of Theatre serve two distinct degree programs: the BFA in Musical Theatre and the BA in Theatre-Dance Emphasis. Successful candidate will be appointed at a rank and salary commensurate with experience, tenure track possible. For more information, please visit https://theatre.psu.edu/people
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UNIVERSITY OF VERMONT, DEPARTMENT OF THEATRE seeks an innovative and collaborative Theatre Historian/Dramaturge with an interdisciplinary approach for a full-time tenure track assistant professor position. Starting date: August 2014. PhD required. For informations please visit https://www.uvmjobs.com


SDCF programs are made possible by the National Endowment for the Arts,
the New York State Council on the Arts with the support of Governor Andrew Cuomo
and the New York State Legislature , Stage Directors and Choreographers Society
and many generous corporations and individuals.

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Member/ Affiliate Member Organizations


Member Organizations

The Women in the Arts and Media Coalition, Inc. is composed of member organizations which combine their efforts to work toward the advancement of women in the performing arts and media. 

165 West 46th Street
NYC NY 10036
212-869-8530 
AEA is the labor union that represents professional performers and stage managers in the legitimate theatre throughout the United States. It negotiates minimum wages and working conditions for its members, administers contracts and enforces the provisions of its agreements with employers. It also participates in various projects for the benefit of the theatre industry. 

New York, NY 10016
212-532-0800 
AFTRA represents actors, singers, dancers, announcers disc jockeys, newscasters, sportscasters and others who perform live or on tape on radio or television, and singers who work in the recording industry. It negotiates and administers contracts on behalf of its members and provides them an opportunity to develop their professional skills. 

Dramatists Guild, Inc. (DG)1501 Broadway.Suite 701
New York, NY 10036
212-398-9366 
The Dramatists Guild is the professional association of playwrights, composers and lyricists. It works to protect the rights of dramatists and to improve the conditions under which they work. 
Mail: c/o Rachel Reiner
35 W. 64 St. Apt. 4-D
New York, NY 10023 
Information Hotline: (888) 297-3117
Other calls: 545-505-1822
The League, the founding member of NYCWAM, is an advocacy organization dedicated to reinforcing the positive image of women, promoting their visibility and increasing their opportunities in American professional theatre.

New York Women in Film & Television (NYWIFT)6 East 39th Street, Suite 1200
New York, NY 10016
212-679-0870
NYWIFT is a nonprofit membership organization dedicated to helping women reach the highest levels of achievement in film, television and other programming media. The membership includes people working in all areas of film, television and new media. With a network of 40 chapters representing 10,000 people around the world, NYWIFT produces many innovative and educational programs. 

Screen Actors Guild (SAG)360 Madison Avenue, 12th Floor
NY, NY 10017
212-944-1030 
SAG is the national labor union that represents performers in motion pictures, television programs and commercials, industrial and interactive projects. Through its National Women's Conference Committee, the Guild works to promote employment opportunities for female performers and to improve the image of women portrayed in entertainment. 

New York, NY 10036
212-391-1070 
SSDC is the national independent labor representative for directors and choreographers who work in the American professional theatre. It provides protections, services and benefits to members, with jurisdiction over Broadway, Off-Broadway, League of Professional Resident Theatres, and other stages. The Stage Directors and Choreographers Foundation supports and develops theatre professionals with information, training and opportunities.  

555 West 57th Street
New York, NY 10036
212-767-7800
WGAE is a labor union representing professional writers in the motion picture, television and radio industries. Guild agreements, achieved through collective bargaining, furnish members with protection in such areas as fees, payment, rights in material, credits and arbitration of disputes. 


Affiliate Member Organizations*

WomenArts
3739 Balboa Street #181
San Francisco, CA 94121
Phone: (415) 751-2202
The Fund for Women Artists helps women do their creative work by directing funds to artists, building audiences through the WomensArtNetwork online listings, providing information on funding resources, and advocacy.
The Rehearsal Club
111 Great Hill Rd
Ridgefield, CT 06877
The Rehearsal Club and the women who lived there are the basis for the Edna Ferber & George S. Kauffman play, Stage Door. Closed down in 1976, the women of the RC alumnae support and encourage the networking and mentoring of aspiring young women while serving as a catalyst to encourage the creation of similar "Rehearsal Club" housing in Manhattan.
The Women's Media Center
212-563-0680
212-563-0688 (fax)
350 Fifth Avenue
New York, NY 10118
The Women's Media Center's mission is to assure that women and women's experiences are reflected in the media just as women are present everywhere in the real world; that women are represented as local, national, and global sources for subjects of the media; and that women media professionals have equal opportunities for employment and advancement.
Women Make Movies
462 Broadway, Suite 500WS
New York, NY 10013
212-925-0606
212-925-2052
Women Make Movies facilitates the production, promotion, distribution and exhibition of independent films and videotapes by and about women, facilitates the development of feminist media, and addresses the under representation of women in film.
Dancers Over 40, Inc. 
P.O. Box 237098
New York, NY 10023
212-330-7016 
Dancers Over 40, Inc. was created as a not-for-profit organization to provide a community of support in response to the fiscal -- as well as physical - needs of mature dancers, choreographers and related artists. Our goals are to seek educational opportunities, present seminars, socials and panel discussions on topics important to mature dancers concerned about their ability to continue to live and work in a creative environment and continue the legacy to those dancers about to begin their journey.

Professional Women Singers Association 
Ansonia Station , P.O. Box 231162
New York, NY 10023 

Founded in 1982, the Professional Women Singers Association advances careers of women singers and promotes musical excellence. It functions as a network of distinguished women singers who support each other in their professional work in opera, musical theater, concert and cabaret performance, and sacred music in churches and synagogues. 
*Affiliate Membership, a newer category of association with WAM Coalition, is available to organizations that support the mission and goals of WAM Coalition but, because they are not membership organizations, are ineligible as a Member Organization. For more information about Affiliate Membership, email us.

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Meet n' Greet

Meet 'n Greet:  We regularly hold informational and networking sessions with member organizations in the arts and media.  On May 30, 2006, our Board members explored goals and activities at an open meeting with members American Federaltion of Televison and Radio Artists (AFTRA), including a mini-networking event. It was our second get together with the group. We've had others with  of the Screen Actors Guild, Society of Stage Directors and Choreographers, and New York Women in Film and Television.  In November, October, September and April 2004, NYCWAM held a similar events with members of the League of Professional Theatre Women (League), Writers Guild of America East (WGAE), Actors Equity Association (AEA).

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